Policemen and residents run as waves from a tidal bore surge past a barrier on the banks of Qiantang River in Haining, Zhejiang province August 31, 2011. As Typhoon Nanmadol approaches eastern China, the tides and waves in Qiantang River recorded its highest level in 10 years, local media reported. (Photo by Reuters/China Daily)

Visitors photograph an animatronic Tyrannosaurus Rex at the National Museum of Scotland, July 29, 2011. (Photo by David Moir/Reuters)

A visitor falls down as they run away from a wave caused by a tidal bore which surged past a barrier on the banks of Qiantang River, in Hangzhou, Zhejiang province, China, October 28, 2015. (Photo by Reuters/China Daily)

A racegoer uses the camera on her phone to check her hair on the opening day of the Grand National Festival at Aintree Racecourse on April 3, 2014 in Aintree, England. The three days of racing attracts thousands of racegoers and fans from across the world. The meeting culminates with millions of pounds being wagered on the runners taking part in Europe's richest jump race, the Grand National. (Photo by Christopher Furlong/Getty Images)

Dancers attend a photocall for the new “The One – Grand Show” at Friedrichstadt-Palast in Berlin, Germany September 28, 2016. The show, which features costumes by French fashion designer Jean Paul Gaultier, premieres on 06 October. (Photo by Hannibal Hanschke/Reuters)

These stunning images show the phwoar-some power of some of Americas most extreme weather. Camille Seaman’s wondrous work features huge super cells, crashing lightning and gale-force winds. The roaming photographer has chased storms across the US from Iowa to Wyoming and from Minnesota to Texas. Her favorite places to chase are Kansas, Nebraska and South Dakota – notorious hotspots for spectacular storms. Here: Supercell in Minnesota, near Browerville, Minnesota in 2014. (Photo by Camille Seaman/Caters News)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)