«Female Boxers», 2024. Julia Fullerton-Batten is a fine art photographer renowned for her cinematic visual storytelling. Her large-scale projects are based around specific themes, each image embellishing her subject matter in a series of thought-provoking “stories” using staged tableaux and sophisticated lighting techniques. (Photo by Julia Fullerton-Batten)

Here Goes River captures Japanese photographer Aya Fujioka’s home town of Hiroshima in 2017. The award-winning series documents the quiet, everyday spaces of the city – mundane, almost incidental scenes that are suffused with the invisible weight of the past. (Photo by Aya Fujioka)

Large waves batter the North Somerset coast at Watchet on December 22, 2024, as Storm Enol hits the UK. The storm has prompted a yellow warning from the Met office forecasting 70mph winds. (Photo by Mark Passmore/Alamy Live News)

French television personality Iris Mittenaere poses on the red carpet during arrivals for the screening of the film “Alpha” in competition at the 78th Cannes Film Festival in Cannes, France, on May 19, 202. (Photo by Sarah Meyssonnier/Reuters)

Volunteer of the SICS “Italian rescue dog school”, during a water rescue training session, inside the Averno lake in Pozzuoli. Italy, on October 26, 2024. (Photo by Vincenzo Izzo/Sipa USA)

American dancer and model Dita von Teese performs a strip-tease, 23 October 2006 at the Crazy Horse saloon in Paris. Von Teese is giving eight performances of her show “the bath” at the famous Parisian cabaret. (Photo by Francois Guillot/AFP Photo)

This image was taken purely by chance, when Fujioka happened to pass a group of schoolgirls striking a popular social media pose in Hiroshima in 2017. “I didn’t even notice the Atomic Bomb Dome (war memorial) behind them when I photographed this image – the girls probably didn’t either. The past and present of Hiroshima co-exists here, with a river running between”. (Photo by Aya Fujioka)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)