A male red deer with antlers covered in bracken, walks through undergrowth in Richmond Park in south west London, October 3, 2014. Over 600 red and fallow deer roam in the largest of London's Royal Parks, and have their numbers managed in an annual cull each November and February. (Photo by Toby Melville/Reuters)

The competition, which is run by the Royal Observatory Greenwich in association with BBC Sky at Night Magazine, is now in its sixth year and has received over 2,500 entries. Photo: Centre of the Heart Nebula by Ivan Eder (Hungary). Situated 7500 light years away in the “W”-shaped constellation of Cassiopeia, the Heart Nebula is a vast region of glowing gas, energized by a cluster of young stars at its centre. The image depicts the central region, where dust clouds are being eroded and moulded into rugged shapes by the searing cosmic radiation. (Photo by Ivan Eder)

A shopper gets caught in a heavy downpour of rain on Oxford Street, London on June 27, 2020, as sunshine and showers are forecast for much of England and Wales on Saturday, with temperatures expected to hover around 22°C (71.6F). (Photo by Dominic Lipinski/PA Images via Getty Images)

A girl sticks out her tongue during snowfalls on a street in Hefei, Anhui province February 13, 2014. (Photo by Reuters/Stringer)

A worker walks through a salt pan on the eve of May Day or Labour Day on the outskirts of the southern Indian city of Chennai April 30, 2014. India is the third largest salt producing country in the world after China and U.S. with global annual production about 230 million tonnes, according to government data. (Photo by Reuters/Babu)

Myanmar's Theiri Aung, seen in action during the women's sepak takraw semifinal against Vietnam, at the Southeast Asian Games in Hanoi, on May 17, 2022. (Photo by Athit Perawongmetha/Reuters)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.