The Moonlight Rainbow Fountain is the world's longest bridge fountain that set a Guinness World Record with nearly 10,000 LED nozzles that run along both sides that is 1,140m long, shooting out 190 tons of water per minute. Installed in September 2009 on the Banpo Bridge, former mayor of Seoul Oh Se-hoon declared that the bridge will further beautify the city and showcase Seoul's eco-friendliness, as the water is pumped directly from the river itself and continuously recycled. The bridge has 38 water pumps and 380 nozzles on either side, which draw 190 tons of water per minute from the river 20 meters below the deck, and shoots as far as 43 meters horizontally.

Summer Zhai and Vicky He, dressed as characters from the anime "Love Live!", rest on stairs during day two of New York Comic Con in Manhattan, New York, October 9, 2015. The event draws thousands of costumed fans, panels of pop culture luminaries and features a sprawling floor of vendors in a space equivalent to more than three football fields at the Jacob Javitz Convention Center on Manhattan's West side. (Photo by Andrew Kelly/Reuters)

Sleep under the Stars, hosted by Hepburn Wind, has given us an opportunity to enrich our daily life with art. Thanks to this festival, a regular wind turbine was turned into a marvelous peace of art. The artwork is especially noticeable, since its theme greatly contrasts with the background behind the wind turbine. Moreover, the idea of drawing a woman-giantess walking over the mountain tops on a large conical object is quite extraordinary. Nevertheless, the grey and green colors of the picture were very well chosen for this particular image. You can only imagine the obstacles that the artists had to face when making a picture on such a large object. However, nowadays, people never cease to amaze with their ingenuity, leaving us gaping in awe at their creations.

A model stands next to a BMW X6 AC Schnitzer car at Auto China 2012 in Beijing in this April 24, 2012 file photo. Amid the razzmatazz, music and crowds at the Shanghai autoshow on Monday, hundreds of attractive young women, and men, mingled among the stands and company booths, introducing the newest sedans and handing out pamphlets. For years, models have been a staple at China's big autoshows – as much of a draw as the latest car models themselves. 2015 is different – the organisers have banned models from the Shanghai show. (Photo by Jason Lee/Reuters)

An Indian Sikh Nihang (a traditional Sikh religious warrior) Baba 'Avtar' Singh wears an oversized giant traditional turban as he pay respects at the Golden temple in Amritsar on November 10, 2015 on the eve of the Indian festival of Diwali, the festival of lights. There will be no spectacular show of light and fireworks this Diwali at the Golden Temple as the Shiromani Gurdwara Parbandhak Committee (SGPC) has decided not to celebrate the festival in the wake of series of incidents of alleged desecration of the Guru Granth Sahib (Sikh holy book). (Photo by Narinder Nanu/AFP Photo)

Sebastião Salgado is a Brazilian documentary photographer living in Paris. He has produced several books, and his work has been exhibited extensively around the world. His latest work, «Genesis», premieres at The Natural History Museum in London on April 11, on view through September 8, 2013. Photo: On South Georgia, a barren island in the far South Atlantic, a pair of southern elephant seal calves beckon before a colony of king penguins. “The male seals can grow to almost five tons,” says Salgado, “but these are just babies. This one looked at me with beautiful eyes”. (Photo by Sebastião Salgado/Amazonas/Contact Press Images)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)