It is amazing how much the humanity can change the face of the earth. Not only can it create huge craters, which look a lot like craters from meteors, they leave a big enough impact that it can be seen from space. Though this crater, caused by a massive explosion on 1 July 1916, looks large, being 90 feet deep and 300 feet across; it is nowhere big enough to be viewed for space. A common misconception is that the Great Wall of China can be seen from space. In reality, however, it is impossible. Not only is it of the same color as the earth near it, it is also not that wide. Deforestation, on the other hand, can be clearly seen from space. Also, at night, all the lights that the large cities produce are also very visible.

A Thai security guard stands by a wall of sandbags in front of a factory at the Bangchan Industrial Estate area on the outskirts of the capitol city November 8, 2011 in Bangkok, Thailand. Over seven major industrial parks in Bangkok and, thousands of factories have been closed in the central Thai province of Ayutthaya and Nonthaburi with millions of tons of rice damaged. Across the country, the flooding which is now in its third month has affected 25 of Thailand's 64 provinces. Thailand is experiencing the worst flooding in over 50 years which has affected more than nine million people. Over 400 people have died in flood-related incidents since late July according to the Department of Disaster Prevention and Mitigation. (Photo by Paula Bronstein /Getty Images)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)

People watch as workers inflate a near-10 metre high giant spider by Singaporean artist Jackson Tan in Singapore's Marina Bay financial district on February 6, 2017. The spider is one of several inflatable creatures that will form the Art-Zoo, a section created by Singaporean artist Jackson Tan for the iLight Marina Bay annual light-art festival in the city-state. (Photo by Roslan Rahman/AFP Photo)

A visitor visit the “12 Labors of Putin” art exhibition on October 6, 2014 marking the 60th birthday of Russia's President Vladimir Putin at the design workshop in Moscow. (Photo by Vasily Maximov/AFP Photo)

A gallery assistant poses with the 1972 work “Secretary” at a press viewing of the artist's exhibition “Allen Jones RA” at the Royal Academy of Arts in London November 11, 2014. (Photo by Neil Hall/Reuters)

Susan Lordi's art reflects our relationships with people and the world around us. Her keen observation of the human form is further inspired by dance, art history, nature, and personal experiences with family and friends. These influences are revealed in her Willow Tree® sculptures, from which emotion is communicated through gestures only.

Sarel Theron is a freelance digital matte painter and concept artist from Cape Town, South Africa. Theron has worked on numerous projects for local and international clients, including book cover illustrations, matte paintings for commercials, concept art for various pitches, and tutorials for digital art magazines.