From footballs to live fish, delivery mopeds piled high with unwieldy, unlikely goods are one of the Vietnamese capital’s most distinctive sights. As the city plans to ban motorbikes altogether, photographer Jon Enoch captured the drivers at work. (Photo by Jon Enoch/The Guardian)

The dominant woman in a leather dress with a stack and a whip in her hand. Bdsm outfit. (Photo by Getty Images)

Russian honour guards wearing protective masks attend the opening ceremony of the 6th International Military Technical Forum “Army 2020” and Army Games in the military Patriot Park outside Moscow on August 23, 2020. (Photo by Kirill Kudryavtsev/AFP Photo)

Travel concept: commercial airplane flying with beautiful charming stewardess on September 12, 2019. (Photo by Volodymyr Tverdokhlib/Alamy Stock Photo)

Staff at a Scottish farm say they are “absolutely delighted” to have welcomed a baby alpaca into the world this morning, June 6, 2019. Mum, Nunavut, gave birth to the baby boy huacaya alpaca, which has not yet been named, weighing 9.6kg. Stuart Ramsay, the owner of Velvet Hall Alpacas, in Innerleithen, Scottish Borders said he was surprised when the baby was born an “unusual rose grey colour”. (Photo by South West News Service)

Surfer Gary Clisby rides his foil board on a morning swell of the coast of Carlsbad, California on May 23, 2018. Harnessing the “foiling” technology more typically seen on racing catamarans in sailing's America's Cup, the surfboards appear to fly above the water thanks to a fin attached to the bottom of the board. (Photo by Mike Blake/Reuters)

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)