Simone Genziuk is one of the star’s of Sydney's Royal Easter Show – not surprising when you see her lift a 75kg washing machine with her hair. The 43-year-old known as Simi is one of the star’s of this year’s Royal Easter Show and it’s all thanks to her hair. Ms Genziuk is no newcomer to the art of circus performing having been an aerial acrobat for 13 years. (Photo by Nathan Edwards/Newspix/SIPA Press)

A bull rams inmates seated at a card table in the Convict Poker event at the Angola Prison Rodeo in Angola, La., Saturday, April 26, 2014. Those competing in the rodeo have to pass a physical to be deemed strong and healthy enough, and thousands of others work year-round making arts and crafts to sell at the event, according to the prison's athletic director. (Photo by Gerald Herbert/AP Photo)

These hyper realistic drawings are so lifelike they could pass for photographs. The incredibly detailed works of art were created by self-taught artist Ivan Hoo, from Singapore, who earns a living from his realistic drawings and paintings. The 31-year-old takes up to three days to complete the impressive pieces, which include animal portraits and still life drawings of everyday items such as a Starbucks cup. The A3 sketches are completed using a range of soft pastel pencils and are drawn from still life, or a photograph taken by Ivan himself. Here: Ivan Hoos drawing of a pug. (Photo by Ivan Hoo/Caters News)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

Lovely is the correct work to describe this beautiful paintings series by David Renshaw from “Ted n’ Doris – A Northern Romance”. “Deep down I always knew what I wanted to do for a living and in my school years I remember my father teaching me some basic elements of drawing and I dreamed of one day becoming an artist. Being only really interested in art I left school and studied Graphic Design, after which I started work at a local art gallery as a picture framer. I continued to paint alongside my job, mainly developing techniques and ideas and in 2005 decided it was time to follow my dreams and dedicate myself to painting full time. I always try to make my work feel atmospheric, and I like to pay particular attention to sky and cloud formations as I consider this element of my work to be extremely important to the mood of the finished painting, whether it be a dramatic sunset or a misty moonlit night.”

A Palestinian youth jumps with a sword as he demonstrates his ninja-style skills for the photographer in front of the ruins of buildings, that were destroyed in 2014 war, in the northern Gaza Strip January 29, 2016. The youths, who have been receiving martial arts training at local clubs in Gaza for the past two years, decided to form a team to hold regular shows in the hope that the publicity generated will eventually lead to them being invited to participate in international contests. (Photo by Mohammed Salem/Reuters)

North Korean leader Kim Jong Un (3rd R) and wife Ri Sol Ju (4th L) enjoy an art performance given by the Chongbong Band to mark the 70th anniversary of the founding of the Workers' Party of Korea (WPK) in this undated photo released by North Korea's Korean Central News Agency (KCNA) in Pyongyang on October 19, 2015. (Photo by Reuters/KCNA)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)