Beyonce Knowles attends the “Schiaparelli And Prada: Impossible Conversations” Costume Institute Gala at the Metropolitan Museum of Art on May 7, 2012 in New York City. (Photo by Randy Brooke)

People sit next to an art installation during the “Plastic Dinoland” exhibition by Japanese artist Hiroshi Fuji, in Hanoi, Vietnam, 17 March 2025. The exhibition, which features colorful installations of dinosaurs made from discarded toys, runs from 15 March to 01 June 2025 at The Japan Foundation in Hanoi. (Photo by Luong Thai Linh/EPA/EFE)

The mummy of Yuya thought by some to be Josua who, after Moses, led the Hebrews into the Promised land and logically would be the father-in-law of Amenophis III, at Cairo Museum, Egypt. (Photo by Patrick Landmann/Cairo Museum/Getty Images)

A woman poses for a photograph in front of a 3D painting at HK 3D Museum in Hong Kong June 26, 2014. (Photo by Tyrone Siu/Reuters)

People look at a skeleton couple kissing installation dubbed “Till Death Do Us Part” during a Valentine's Day event in Bucharest, Romania, Tuesday, February 13, 2024. (Photo by Vadim Ghirda/AP Photo)

A couple takes a photo outside the MUJA (Jurassic Museum of Asturias) in Colunga, northern Spain, November 6, 2015. The scientific team of the Jurassic Museum of Asturias (MUJA) presents their latest studies on the fossil of a Ichthyosaur, which acccording to them is the most complete found in the Iberian Peninsula and one of the few in the world. (Photo by Eloy Alonso/Reuters)

Dr. P.A. Smithe was sent by the American Red Cross as a doctor and surgeon to work at a hospital in Vienna. He sailed to Europe in December 1915 and returned home in August 1916, according to his daughter, who donated his images to the National World War I Museum. Photo: Turkish army, including cavalry, infantry and artillery. (Photo by Dr. P.A. Smithe/National World War I Museum, Kansas City, Mo.)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)