Angler Thomas Rielly catches a fish during the opening of the salmon fishing season on the River Tay January 16, 2012 in Kenmore, Scotland. A procession with a pipe band and anglers made its way through Kenmore at the east end of Loch Tay to mark the start of the 2012 salmon season on the River Tay. (Photo by Jeff J. Mitchell/Getty Images)

This is a bearded tit bird, diving for food. Photo by Edwin Kats.

The battle by Jose Garcia, US. Category: bird behaviour. A great white heron (Ardea herodias occidentalis) fighting a green snake in the Florida Everglades. The fight lasted for nearly 20 minutes with the heron having to release its prey. (Photo by Jose Garcia/2017 Bird Photographer of the Year Awards)

Creative imagery, gold winner: Sprats and Bread, Ruediger Schulz, Germany. (Photo by Ruediger Schulz/2021 Bird Photographer of the Year)

A pigeon stretches its wings in the Ka Faroshi bird market in Kabul on July 16, 2022. (Photo by Lillian Suwanrumpha/AFP Photo)

Portrait category, bronze award winner. Purple-crested Turaco Gallirex porphyreolophus. Lower Mpushini, near Pietermaritzburg, KwaZulu-Natal, South Africa. (Photo by Richard Flack/Bird Photographer of the Year 2022)

Revelers of the “Societe des Champs Elysee” launch fireworks before boarding the Rampart-St. Claude street car line, which just opened last fall, to commemorate the official start of Mardi Gras season, in New Orleans, Friday, January 6, 2017. (Photo by Gerald Herbert/AP Photo)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.