A girl carries a bag of recyclable items she collected from a landfill on the outskirts of Sanaa, Yemen November 16, 2016. (Photo by Mohamed al-Sayaghi/Reuters)

A member of the United Arab Emirates armed forces gestures as the first batch of UAE military personnel returns from Yemen in Abu Dhabi, November 7, 2015. (Photo by Reuters/United Arab Emirates News Agency WAM)

Fighters of the pro-government Popular Resistance Committees militia carry a cannon as they transport it in parts to Yemen's southwestern war-torn city of Taiz December 26, 2015. (Photo by Reuters/Stringer)

An artist shows her hands after working on a wall as part of a campaign to call for coexistence and the renouncement of violence through the painting of walls in Sanaa, Yemen March 15, 2015. (Photo by Mohamed al-Sayaghi/Reuters)

Children play on an abandoned car near a protest, which is against the dissolution of Yemen's parliament and the Shi'ite Muslim Houthi militia's tightening grip on power, in the southwestern city of Taiz, February 13, 2015. (Photo by Mohamed al-Sayaghi/Reuters)

Labourers stack dried bricks inside a kiln, where they will be fired, at a brick factory on the outskirt of Sanaa, Yemen, June 1, 2016. Traditional mud brick tower houses have always been a source of pride to Yemenis, and over a year into a devastating civil war, they are also providing some much-needed jobs in the ancient capital Sanaa. (Photo by Mohamed al-Sayaghi/Reuters)

Tippi aged 6 sitting on the back of Linda, a tamed ostrich in South Africa, 1996. Incredible pictures of the real life Mowgli, a girl who spent the first ten years of her life growing up in the African bush, have been released for the first time. The magical images chronicle the life of Tippi Benjamine Okanti Degré, who was brought up with wild animals, just like Rudyard Kipling's hero did in The Jungle Book. (Photo by Sylvie Robert/Barcroft Media)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)