Keira Knightley attends the premiere for “A Dangerous Method” at The 55th BFI London Film Festival at The Odeon West End on October 24, 2011 in London, United Kingdom. (Photo by Dave Hogan/Getty Images)

Models parade at the end of Moschino's Autumn/Winter 2017 women's collection during Milan Fashion Week in Milan, Italy, February 23, 2017. (Photo by Stefano Rellandini/Reuters)

A Muslim faithful celebrates during the Eid al-Fitr festival, marking the end of the fasting month of Ramadan, in Kaduna, Nigeria on April 10, 2024. (Photo by Marvellous Durowaiye/Reuters)

Passengers climb to board an overcrowded train at a railway station in Dhaka August 8, 2013. Millions of residents in Dhaka are travelling home from the capital city to celebrate the Muslim Eid al-Fitr holiday, which marks the end of the Muslim holy fasting month of Ramadan. (Photo by Andrew Biraj/Reuters)

A participant takes part in the annual Jack In The Green parade involving hundreds of costumed revellers joining a four hour procession culminating in the traditional “slaying” of a Jack character to “unleash the spirit of summer” on the May Day week end, in Hastings, southern Britain, May 2, 2016. (Photo by Toby Melville/Reuters)

Participants gather before the start of a candlelight procession at the end of a three-day "Day of The Dead" (Dia de los Muertos) celebration in Old Town San Diego, California November 2, 2015. (Photo by Mike Blake/Reuters)

A child looks at window cleaners work while dressed in sheep (C) and monkey costumes, denoting animal signs of the Chinese zodiac calendar, during an event marking the upcoming end of the year at a hotel in Tokyo, Japan, December 21, 2015. According to the zodiac calendar, 2015 is the year of the sheep and 2016 is the year of the monkey. (Photo by Thomas Peter/Reuters)

At the end of a six-year relationship, photographer Laura Stevens needed to find a creative, external outlet for all the complicated feelings she was processing internally. “Another November” is the end product, a photo series that aims to mirror those agonizing emotions that Stevens felt at the time of the breakup – and the subsequent healing process. Here: “Jessica” is photographed at her Paris home in this scene staged by photographer Laura Stevens. (Photo by Laura Stevens)