Girls in floral crowns jump across the bonfire while holding hands during the Kupala Night celebration at the National Museum of Folk Architecture and Life in Pyrohiv, Kyiv, capital of Ukraine. (Photo by Ukrinform/Rex Features/Shutterstock)

A man dressed in Christmas garb smokes a hand-rolled cigarette, Thursday, December 24, 2020, in Times Square on Christmas Eve in New York. (Photo by Kathy Willens/AP Photo)

A guest’s hands at the Essence Black Women in Hollywood awards luncheon at the Beverly Wilshire Four Seasons hotel in Beverly Hills, California on March 24, 2022. (Photo by Image Press Agency/NurPhoto/Rex Features/Shutterstock)

A pilgrim enters the Basilica of Our Lady of Guadalupe on their hands and knees to honour the Virgin Mary in Mexico City, Mexico on December 11, 2022. (Photo by Jorge Nunez/Zuma Press Wire/Rex Features/Shutterstock)

Aline, along with other rangers and park staff visit the gorilla's in the parks Mikeno sector, where the majority of the gorilla families live in Virunga National Park. Therefore there has been a surge of poaching and violence in the area. For the first time, women have taken up the most dangerous job in wildlife, becoming para-military rangers at the Virunga National Park in DR Congo. (Photo by Monique Jaques)

A young Iranian woman walks in Tehran on June 14, 2021, ahead of the June 18 presidential elections. Iran is gearing up for a presidential election on June 18 but many young people are more focussed on the daily struggle to survive and their dreams for the future. Jobs are scarce in a recession-hit economy battered by sanctions, a crisis exacerbated by the region's worst outbreak of the Covid pandemic. (Photo by Atta Kenare/AFP Photo)

A woman sells chips in Abidjan, Ivory Coast on August 09, 2019. World's number one cacao producer Ivory Coast's capital Abidjan set peace after the 201011 Ivorian crisis. Women in Abidjan work in various jobs to help their families' budget. (Photo by Mahmut Serdar Alakus/Anadolu Agency via Getty Images)

French photographer and director Romain Laurent started making portrait-based GIFs as a way to produce work outside his commercial jobs, a spontaneous project that would encourage him to produce consistently for himself rather than clients.