A man checks the temperature of a devotee as a precaution against the coronavirus as she arrives to offer prayers at an ancient temple of Hindu goddess Kali in Jammu, India, Tuesday, August 18, 2020. (Photo by Channi Anand/AP Photo)

Armed Karo herdsman just back from protecting their cattle herds come down to the river to wash decorative clay markings off their bodies at the end of the day in the Omo Valley, South West Ethiopia. Dus, Omo Valley, Ethiopia, January 2008. (Photo by Brent Stirton/Discovery Communications)

In this July 24, 2016 photo, a pilgrim takes a bath in a sacred mud pool during the annual Voodoo celebration in Plaine-du-Nord, Haiti, Saturday, July 23, 2016. Pilgrims come to bathe in the mud and make offerings expecting a miracle. (Photo by Dieu Nalio Chery/AP Photo)

Brazilian model Alessandra Ambrosio poses for photographers upon arrival at the opening ceremony and the premiere of the film “Jeanne du Barry” at the 76th international film festival, Cannes, southern France, Tuesday, May 16, 2023. (Photo by Scott Garfitt/Invision/AP Photo)

Scantily clad spectators run alongside riders in the ascent of the Col du Tourmalet during the 6th stage of the 110th edition of the Tour de France cycling race, 145 km between Tarbes and Cauterets-Cambasque, in the Pyrenees mountains in southwestern France, on July 6, 2023. (Photo by Anne-Christine Poujoulat/AFP Photo)

Employees work on a crane above an E-70 wind turbine manufactured by German company Enercon for La Compagnie du Vent during its installation at a wind farm in Meneslies, Picardie region, France July 31, 2014. (Photo by Benoit Tessier/Reuters)

(L-R) Barbara Palvin, Bella Hadid and Izabel Goulart appear on stage at the amfAR's 23rd Cinema Against AIDS Gala at Hotel du Cap-Eden-Roc on May 19, 2016 in Cap d'Antibes, France. (Photo by Andreas Rentz/Getty Images)

The Berenson robot strolls among visitors during the exhibition “Persona : Oddly Human” at the Quai Branly museum in Paris, France, February 23, 2016. The Berenson robot, developed in France in 2011, is the brainchild of anthropologist Denis Vidal and robotics engineer Philippe Gaussier. Its programming allows it to record reactions of museum visitors to certain pieces of art and then use the data to develop its own unique taste, which allows “Berenson” to judge whether or not it likes a certain work of art within an exhibition. (Photo by Philippe Wojazer/Reuters)