Starlings are seen at their nesting box in a private garden in the town of Bobruisk, Belarus, April 8, 2018. (Photo by Vasily Fedosenko/Reuters)

A rebel fighter celebrates as his comrades fire a rocket barrage toward the positions of troops loyal to Libyan ruler Muammar Gaddafi April 14, 2011 west of Ajdabiyah, Libya. Rebels exchanged artillery and rocket fire with loyalist troops west of Ajdabiyah April 14 as the confict engulfing Libya continued. (Photo by Chris Hondros/Getty Images)

Israelis take cover from the incoming rocket fire from the Gaza Strip in Ashkelon, southern Israel, Wednesday, October 11, 2023. (Photo by Leo Correa/AP Photo)

Shaolin monks of the Dengfeng Zhongyue Shaolin Boxing Culture Troupe from Henan Province in China perform in Valletta, Malta, September 17, 2016. (Photo by Darrin Zammit Lupi/Reuters)

A Syrian refugee man (obscured) moves boxes of goods at his shop in Zaatari refugee camp near the border with Syria, in Mafraq, Jordan October 15, 2016. (Photo by Ammar Awad/Reuters)

Participants race during the Red Bull Box Cart Race challenges in Bo Kaap, one of the iconic neighbourhoods in Cape Town, South Africa on November 6, 2022. (Photo by Esa Alexander/Reuters)

Sinaida Omondi of Team Kenya breaks away from Alena Tiron of Team ROC in the Women’s pool A match between Team ROC and Team Kenya during the Rugby Sevens on day six of the Tokyo 2020 Olympic Games at Tokyo Stadium on July 29, 2021 in Chofu, Tokyo, Japan. (Photo by Dan Mullan/Getty Images)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.