A cat sits on the empty Great Wall on February 23, 2021 in Beijing, China. Affected by the new coronavirus (COVID-19), the number of visitors to Mutianyu Great Wall in 2020 dropped by about 60%. (Photo by Lintao Zhang/Getty Images)

A Chinese tourist visits the Mutianyu Great Wall covered in snow on February 23, 2021 in Beijing, China. Affected by the new coronavirus (COVID-19), the number of visitors to Mutianyu Great Wall in 2020 dropped by about 60%. (Photo by Lintao Zhang/Getty Images)

A doll, placed by stranded Iranian migrant protesters, hangs from barbed wire in front of Madedonian police at the Greek-Macedonian border near to the Greek village of Idomeni November 29, 2015. The protesters were demonstrating against what they say is the closure of the border for Iranian migrants. According to the demonstrators, the hanging toys and dolls represent the outcome of being unable to return, if they are sent back to Iran. (Photo by Yannis Behrakis/Reuters)

Cylists hang to the back of a truck outside the capital Bujumbura, July 19, 2015, as the country awaits next week's presidential elections. Each day scores of cyclists make the 45 kilometer downhill journey at breakneck speed from Bugarama to sell bananas, often hanging from the back of trucks for the return uphill trip. (Photo by Mike Hutchings/Reuters)

I would like to tell you why many artists, who like me, have painted portraits and landscapes in oils on canvas, worked with acrylics, watercolors, and pen and ink drawings, have turned to the art of gourd carving.

Monumental landscape artwork “Hush” by installation artist Steve Messam hangs in the moors of Teesdale on July 18, 2019 in Barnard Castle, England. The outdoor installation is inspired by the geology, mining history and landscape of the area. It hangs over Bales Hush, a deep gauge in the terrain created when miners flushed the area with water to reveal the geological riches below. Hundreds of metres of recyclable saffron yellow fabric blow in the wind. (Photo by Christopher Thomond/The Guardian)

Self-titled Pricasso – real name Tim Patch, 71, – is using his very own pen*s to create his masterpiece – and claims to have made close to £500k from his saucy paintings. Here: Pricasso gets to work with his tools - and paints The Sun's newspaper correspondent Amy Nickell with his bits in London, England on November 5, 2019. (Photo by Stewart Williams/The Sun)

The Cage of Death at Crocosaurus Cove in Darwin City, Australia. The Cage of Death starts out above the water where the two tourists in it can see the huge crocodile below before the cage is lowered into the pen. The tourists are then inches from the 16-foot-long Saltwater crocodile as it greedily snaps its jaws over meaty treats that are being dangled right in front of the cage. (Photo by Crocosaurus Cove/Media Drum World/Profimedia)