A Sri Lankan leopard is pictured at a zoo in Dehiwala near Colombo on March 3, 2016, on World Wildlife Day. (Photo by Ishara S. Kodikara/AFP Photo)

Charlize Theron and Javier Bardem arrive at the 91st Annual Academy Awards at Hollywood and Highland on February 24, 2019 in Hollywood, California. (Photo by Mario Anzuoni/Reuters)

Kim Kardashian arrives for the Thierry Mugler exhibition opening at the Montreal Museum of Fine Arts in Montreal, Chittenango, United States of America on February 26, 2019. (Photo by Splash News and Pictures)

Sun Rongchun, 57, exercises with an improvised cervical traction device attached to a high bar at a sports complex in Shenyang, Liaoning province, China on April 9, 2019. (Photo by Sheng Li/Reuters)

Takehiko Yagi is a rising star in Japanese photography, and his vibrant pictures of the Hindu spring festival of Holi won the Grand Prize at the fourth annual Nikkei National Geographic Photo Prize. Diving into the Colors of Holi is his first exhibition in the US, on show at Foto Care Gallery in New York until 28 September, 2016. Here: Jaipur, India, 2013, (Photo by Takehiko Yagi/The Guardian)

Heidi Klum direct a photoshoot for “Germany's Next Top Model” on set filming on Hollywood Boulevard, Los Angeles, USA on January 25, 2017. (Photo by Splash News and Picture)

A girl watches as a man jumps to cool off at a swimming pool in the village of Zllakuqan near the town of Klina on July 9, 2024. (Photo by Armend Nimani/AFP Photo)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.