The chariot of God Bhairab is pulled through the city centre of Bhaktapur near Kathmandu during the Bisket festival April 10, 2015. The festival, which runs for more than a week and coincides with the Nepalese New Year, involves devotees offering prayers and the pulling of two chariots, one carrying the idol of God Bhairab and the other with the idol of Goddess Bhadrakali, around the ancient city of Bhaktapur. Devotees participate in the festival with the belief that they will be blessed with good health, fortune and harvest for the coming year. (Photo by Navesh Chitrakar/Reuters)

A mother prays for success for her child in the college entrance examinations at a Buddhist temple in Seoul, South Korea, November 12, 2015. About 630,000 students on Thursday sat for the annual exams that could lead them to one of the country's top universities. In South Korea, there is no higher achievement than to be accepted by a prestigious university. As a result, many students prepare for these entrance exams from an early age, often studying up to 16 hours a day for years to take this test. (Photo by Kim Hong-Ji/Reuters)

Polish photographer David Kaszlikowski took a series of stunning photographs of a glacier in the Karakoram region of Pakistan while on a film expedition. At the Baltoro and Godwin-Austen glaciers near K2, the second highest mountain in the world, he sent his drone on flights to scout the surrounding landscape. Here: at the heart of Karakoram, a glacier formation found at Concordia at the very beginning of one of the longest glaciers on the planet, Baltoro. (Photo by David Kaszlikowski/Rex Features)

The Museum of Feelings doesn't really have “exhibits" in the conventional sense; rather, visitors move from one themed alcove to another, five in total, each with its own distinctive aroma. The “Optimistic Room," bathed in vivid pink and purple light, is little more than a lightshow, with patrons using small reflective panels to bounce light around the room. Here: People interact in the “optimistic” room at the Museum of Feelings, a pop-up installation in New York, December 15, 2015. (Photo by Stephanie Keith/Reuters)

A petitioner with her grievances written on her clothes walks along a street in Beijing Tuesday, December 22, 2015. After months behind bars, Pu Zhiqiang, one of China's most prominent human rights lawyers, left a detention center Tuesday after receiving a suspended prison sentence in a case involving online comments critical of the ruling Communist Party. (Photo by Ng Han Guan/AP Photo)

It's a 30-day-old Echidna baby, known as a “puggle” – one of only 24 ever bred in captivity. The proud parents are Tippy and Pickle of Australia Zoo. The tiny baby, whose s*x has not yet been identified, hatched from a soft egg and will continue to develop and nurse inside Tippy's warm pouch. (Photo by Australia Zoo/Rex/Sipa Press)

Memory Suitcases is a thought-provoking series by Israeli artist Yuval Yairi that uses old, worn suitcases as canvases for nostalgic landscapes. Like scenes out of one's memory, the propped up traveling cases feature a range of sepia-toned settings. The series presents the objects as though they are relics of a civilization from yesteryear, each with their own story to tell.
There's something both heartbreaking and sentimental about the images. It appears to tell a number of stories of leaving one lifestyle for another. The suitcases hold within them a picture show of memories from a life-altering journey. Like a number of his other works, Memory Suitcases "mimics the natural process of memory."

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.