Olga Fatkulina of the Russian Olympic Committee flops onto the infield after finishing her heat in the women's speedskating 1,000-meter finals at the 2022 Winter Olympics, Thursday, February 17, 2022, in Beijing. (Photo by Ashley Landis/AP Photo)

British actress Iris Law arrives for the screening of the film “Forever Young (Les Amandiers)” at the 75th edition of the Cannes Film Festival in Cannes, southern France, on May 22, 2022. (Photo by Piroschka Van De Wouw/Reuters)

Mexican fashion model Daniela de Jesus Cosio attends the screening of “Nostalgia” during the 75th annual Cannes film festival at Palais des Festivals on May 24, 2022 in Cannes, France. (Photo by Sarah Meyssonnier/Reuters)

A man sits under lanterns and decorations on a street ahead of the Chinese Lunar New Year in Chinatown Yangon, Myanmar January 23, 2017. (Photo by Soe Zeya Tun/Reuters)

A Thai and foreign revelers battle with water guns during the annual Songkran celebration at Khaosan Road, a tourist spot in Bangkok, Thailand, 12 April 2017. The four southeast Asian nations of Myanmar, Thailand, Cambodia and Laos started the Buddhist new year, known as Thingyan in Myanmar and Songkran in Thailand, on April 13. (Photo by Rungroj Yongrit/EPA)

Youth category winner: Symphony No 5 by Giacomo Redaelli (Italy). (Photo by Giacomo Redaelli/2019 Nature Photographer of the Year)

A Nepalese Gurung community woman, wearing traditional attire, prepares to participate in a parade to mark their New Year known as “Tamu Loshar” in Kathmandu, Nepal, Friday, December 30, 2016. The indigenous Gurungs, also known as Tamu, are celebrating the advent of the year of the bird. (Photo by Niranjan Shrestha/AP Photo)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)