The sun sets over the sea looking towards Lands End viewed from Gwenver beach near Sennen Cove on February 7, 2011 in Cornwall, England. (Photo by Matt Cardy/Getty Images)

A seafood vendor moves a giant swordfish to his stall at a market in Qingdao, Shandong province, China, September 12, 2015. The 4.1-metre-long (13.5 feet) swordfish, weighed about 309.5 kilograms (682 lbs), was caught by local fishermen on Friday, local media reported. (Photo by Reuters/Stringer)

A man talks on his mobile phone in the village of Devmali in the desert state of Rajasthan, India June 14, 2016. (Photo by Himanshu Sharma/Reuters)

This picture taken on May 21, 2016 shows professional wrestlers fighting each other during the Wrestling City Asia organized by Singapore Pro Wrestling at a stadium in Kuala Lumpur. Kenneth Thexeira is a mild-mannered writer for an interior-design magazine by day, but on certain nights his alter ego bursts forth in golden tights and a baby-blue cape: enter “The Eurasian Dragon”. (Photo by Mohd Rasfan/AFP Photo)

A hippopotamus performs during a show at the circus in Krasnoyarsk, Siberia, Russia, July 7, 2016. (Photo by Ilya Naymushin/Reuters)

Against the scorching sun, a hungry jackal chases a flock of birds looking for a quick morning snack. Taken in South Africa's Kgalagadi Transfrontier National Park, these images capture the moment a lone hunter tries, and then succeeds, in his pursuit. (Photo by John Mullineux/Solent News)

Kim Anderson photography career, now overseen from his home base in a Swiss mountainside village, began the way of many shutter bugs. His early photos focused on fashion and people, as well as photography for advertising agencies.

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)