A huge atlas moth, with a wingspan of more than 9in, photographed on an areca nut plantation in Sirsi, India. (Photo by Uday Hegde/Close Up Photographer of the Year)
The calm before storm Bert, with the sunrise on November 22, 2024 through Durdle Door in Dorset, UK, the sun beams through the famous rock arch on the Jurassic Coastline, a shot known as “Through the Keyhole”. It only happens from the end of November to early January and not that often as clear skies are needed on the horizon for the sun to shine through. (Photo by Steve Hogan/Picture Exclusive)
A worker walks through a salt pan on the eve of May Day or Labour Day on the outskirts of the southern Indian city of Chennai April 30, 2014. India is the third largest salt producing country in the world after China and U.S. with global annual production about 230 million tonnes, according to government data. (Photo by Reuters/Babu)
For her series “Japanese Whispers”, Belgian photographer Zaza Bertrand headed inside the intimate world of rabuhos – Japanese love hotels. Love hotels became popular in Japan from the 1960s onwards, due to a lack of privacy in many family homes. There are now around 37,000 of these hotels in Japan, allowing short daytime “rests” or overnight stays. (Photo by Zaza Bertrand/The Guardian)
A Chinese People's Liberation Army soldier marches with members of an honor guard as they prepare for a welcome ceremony for visiting Luxembourg's Prime Minister Xavier Bettel outside the Great Hall of the People in Beijing, Monday, June 12, 2017. (Photo by Andy Wong/AP Photo)
Participants of the annual “SlutWalk” march through the Israeli Mediterranean coastal city of Tel Aviv on May 4, 2018 to protest against rape culture, including sexual assault and harassment directed at women. The campaign, which has gained international notoriety, was inspired by group of Canadian women who launched the protest in 2011 in response to a policeman' s comment that if women want to avoid being attacked they should not dress like sl*ts. (Photo by Jack Guez/AFP Photo)
For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)