People with his face covered in oil and soot and carrying bull horns representing a devil join a carnival festival on February 14, 2015 in Luzon, Spain. (Photo by David Ramos/Getty Images)
The endangered antipodean albatross, which is often caught in fishing nets, won most first-choice votes out of the more than 55,000 votes cast during the 2020 New Zealand’s bird of the year competition. (Photo by Wildestanimal/Getty Images)
A woman looks at the honour guard soldiers marching at the Tomb of the Unknown Soldier by the Kremlin wall, in downtown Moscow, on June 28, 2021. (Photo by Alexander Nemenov/AFP Photo)
In this November 9, 2014 photo, a man sits on the rope holding his bull by the neck as he waits to enter it in a bull fight in Leogane, Haiti. The obscure Haitian practice of fighting bulls is brutal like a cock or dog fight, but on a larger scale. A casual pastime for some rural men, it is serious business for others looking to pay their children's school fees or even buy a car. (Photo by Dieu Nalio Chery/AP Photo)
Eryn, owned by Tom Chudleigh in Canada. New global research has revealed that ‘shed-scapism’ is sweeping the world with more people than ever ditching their tools and transforming their sheds into zen dens. The research comes as the Cuprinol Shed of the Year competition joins forces with aspirational shed fan site, Cabin p*rn, to launch the first ever global category. We have a stunning suite of imagery of 9 sheds from across the world - from Norway to Slovenia, British Colombia to Colorado who have all submitted their sheds in the hopes of being crowned the first ever Global Shed of the Year. (Photo by Cuprinol/Rex Features/Shutterstock)
The People of Mah Meri tribe at home at Pulau Carey village on December 03, 2016 in Selangor, Malaysia. The Mah Meri people are one 18 tribes of Orang Asal (indigenous people) living in west Malaysia. The Mah Meri are know for thei wood carvings and also for the richness of their songs and dances. (Photo by Yuli Seperi/Sijori Images/Barcroft India)
“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)