To an outsider, their passion is at times illegal and often on the verge of life and death. But climbing rooftops of high-rise buildings and exploring abandoned facilities is in the blood of these young Muscovites. The small group calls itself “Rudex”, which stands for “roof and decay exploration”, and is akin a Western youth craze known as urbex or “urban exploration” of man-made structures. Here: Urban explorer Vad Him of Rudex team jumps whilst on a rooftop in Moscow, Russia, August 14, 2017. (Photo by Maxim Shemetov/Reuters)

Thailand’s Surasak Waenwiset tries a shot as Hungary’s Marcell Fenyvesi stands nearby, during their Beach Handball Men’s Tournament match in Tecnopolis Park, during the Youth Olympic Summer Games in Buenos Aires, Argentina on October 9, 2018. (Photo by Florian Eisele/AP Photo)

Danusorn Sdisaithaworn, 10, poses for a portrait during an annual Poy Sang Long celebration, a traditional rite of passage for boys to be initiated as Buddhist novices, while he visits a relative's house outside Mae Hong Son, Thailand, April 4, 2018. (Photo by Jorge Silva/Reuters)

Girls stand on the rocks consulting a magazine as they carry their trays with fruits for sell, in Dakar, Senegal on February 28, 2021. (Photo by Zohra Bensemra/Reuters)

People stand in the rain as they wait to enter the Martyrs' Mausoleum during a ceremony for Martyrs' Day in Yangon on July 19, 2020. Myanmar observed the 73rd anniversary of Martyrs' Day on July 19, marking the assassination of independence heroes including Aung San Suu Kyi's father, who helped end British colonial rule. (Photo by Sai Aung Main/AFP Photo)

A girl looks on at a diver dressed as Santa Claus performing during a promotional event for Christmas in Seoul, South Korea on December 3, 2021. (Photo by Kim Hong-Ji/Reuters)

Fans watch during a match between Daria Kasatkina, of Russia, and Coco Gauff during round-robin play on day four of the WTA Finals tennis tournament in Fort Worth, Texas, Thursday, November 3, 2022. (Photo by Ron Jenkins/AP Photo)

A view of an installation as part of the “S.A.C.R.E.D” exhibition by Chinese artist Ai Weiwei during the 55th La Biennale of Venice, in the church of Sant'Antonin in Venice May 28, 2013. (Photo by Stefano Rellandini/Reuters)