“Douglas Fisher has worked in the photographic industry for more than 25 years, starting out at 19 as an assistant before establishing his own studio, just two years later. Here, Douglas would go on to be among the first to champion the emerging worlds of digital photography and CGI, identifying early the transformative impact they would bring to advertising and high end photography”. – Tim Mitchell

Photo: «Carlsberg Launch». (Photo by Douglas Fisher)

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

A photo taken on July 22, 2017 shows beach- goers dancing at the West Sea Barrage beach outside the coastal city of Nampo, southwest of Pyongyang. The West Sea Barrage beach features as a stopping point for foreign tourists, and is a destination for North Korean work groups from the neighbouring area. The beach lies at the end of an eight- kilometre- long barrage that separates the sea from the Taedong River, which runs through Pyongyang. (Photo by Ed Jones/AFP Photo)

Andy Kehoe recently returned to New York for his third solo show with Jonathan LeVine Gallery. Entitled Luminous Reverie, this show explores the idea of experiencing a lucid moment while drifting along in a daydream. We enjoyed the works, which continued the new direction that he premiered during a show in Los Angeles last year (covered). Again, Kehoe explores the technique of painting layers upon layers of resin and creating a natural 3-D visual element for the viewers to enjoy. This show will be up until June 15th, so stop by and check it out if you’re in NYC.

Italian artist Maurizio Cattelan poses with his creation “Him” (2001) prior to the opening of the exhibition “Not Afraid of Love” at the Hotel de la Monnaie in Paris, France, October 17, 2016. From October 21, 2016 to January 8, 2017, “Not Afraid of Love”, curated by Chiara Parisi, director of Cultural Programs, sets Maurizio Cattelan’s “comeback at work” in one of the most beautiful Palaces on the river Seine. (Photo by Philippe Wojazer/Reuters)

Sophia answers questions at Hanson Robotics studio in Hong Kong on March 29, 2021. Sophia is a robot of many talents — she speaks, jokes, sings and even makes art. In March, she caused a stir in the art world when a digital work she created as part of a collaboration was sold at an auction for $688,888 in the form of a non-fungible token (NFT). (Photo by Vincent Yu/AP Photo)

The Pied Piper of Hamelin, actually city tourism employee Michael Boyer, leads local children dressed as rats through a quiet street on November 19, 2012 in Hameln, Germany. The Pied Piper (in German: Der Rattenfaenger), is one of the many stories featured in the collection of fairy tales collected by the Grimm brothers, and the 200th anniversary of the first publication of the stories will take place this coming December 20th. Boyer, a U.S. citizen who has lived in Hameln for 15 years, and city children regularly perform a reenactment of the Pied Piper tale throughout the summer months. The Grimm brothers collected their stories from oral traditions in the region between Frankfurt and Bremen in the early 19th century, and the works include such global classics as Sleeping Beauty, Little Red Riding Hood, Rapunzel, Cinderella and Hansel and Gretel. (Photo by Sean Gallup)

Women labourers work at the construction site of a road in Kolkata January 8, 2015. Across towns and cities in India, it is not uncommon to see women cleaning building sites, carrying bricks and or shoveling gravel – helping construct the infrastructure necessary for the country's economic and social development. They help build roads, railway tracks, airports, and offices. They lay pipes for clean water supplies, cables for telecommunications, and dig the drains for sewage systems. But although women make up at least 20 percent of India's 40 million construction workers, they are less recognized than male workers with lower pay and often prone to safety hazards and sexual harassment. They are often unaware of their rights or scared to complain, say activists now trying to campaign for better treatment of women in the construction industry. (Photo by Rupak De Chowdhuri/Reuters)