An adult and two children stop to cool off at the water from an open fire hydrant in hot and humid weather in New York City on Thursday, July 11, 2024. After dealing with extreme humidity and heat for the past few days the trip-state area got a break as humidity levels took a slight but noticeable drop. (Photo by John Angelillo/UPI/Rex Features/Shutterstock)

Japan's Katsuyuki Tanamura reaches for a shot during a Japan men's water polo team training session at the Olympic Aquatics Centre, ahead of the 2024 Summer Olympics, Tuesday, July 23, 2024, in Saint-Denis, France. (Photo by Luca Bruno/AP Photo)

A cricket is seen posing on an advertising billboard during the Concacaf Nations League group stage football match between Costa Rica and Guadeloupe at the National Stadium in San Jose on September 5, 2024. (Photo by Ezequiel Becerra/AFP Photo)

(L-R) Sofía Vergara and Heidi Klum attend Netflix's Primetime Emmy afterparty at Hilex on September 15, 2024 in Los Angeles, California. (Photo by Roger Kisby/Getty Images for Netflix)

Argentina's President Javier Milei poses for pictures after ringing the opening bell at the New York Stock Exchange in New York, Monday, September 23, 2024. (Photo by Seth Wenig/AP Photo)

A local resident helps free a car that became stranded in a stretch of flooding road as Tropical Storm Helene strikes, on the outskirts of Boone, North Carolina, U.S. September 27, 2024. (Photo by Jonathan Drake/Reuters)

Xabi Zurutuza of Spain for Red Bull KTM Ajo crashes during Moto3 Free Practice Three as part of the Australian Motorcycle Grand Prix at the Phillip Island Grand Prix Circuit in Phillip Island, Australia, 19 October 2024. (Photo by Joel Carrett/EPA)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.