People take a selfie as the sun sets over Manhattan aligned exactly with the streets in a phenomenon known as “Manhattanhenge”, in New York City, U.S., July 11, 2016. (Photo by Mark Kauzlarich/Reuters)

Enthusiast dressed as zombies take part in the Zombie Walk event on September 14, 2019 in the eastern French city of Strasbourg, within the framework of the 12th edition of the European Fantastic Film festival, which runs from September 14 to 22. (Photo by Frederick Florin/AFP Photo)

Winner. “I took this vertical image in the Quarry Bay district of Hong Kong during the dusk ‘blue hour’, when there was a perfect balance between the ambient light in the sky and the artificial lights of the high-rise residential buildings”. (Photo by Jatinder Heer/The Guardian)

A volcanic eruption at Mount Etna’s Vorgaine crater in Sicily, Italy on December 3, 2015. (Photo by Marco Restivo/Barcroft Media)

Scared of Heights. “Taken from the highest residential building in Asia: the Zenith in Busan. This was taken with official permission (which took me months to get) and safety measures were taken. I had to hang myself over the edge to get this shot. Not for the faint of heart! But when you’re at a height like this, the world below you just seems different. It takes away the fear one would normally have, and gives a sense of peace instead”. (Photo by Albert Dros/NatGeo Cities Travel Photographer of the Year 2017)

“A Balinese man shows off his pride and joy, a fighting cock, while on a cigarette break after a morning’s work in nearby fields”. (Photo by Coltrane Koh/The Guardian)

A person wearing a mask of Elmo walks around Times Square during the pass of the snowstorm on January 31, 2021 in New York City. New York City Mayor Bill de Blasio declared a state of emergency order due to the arriving storm that's expected to wallop New York, where airports are expected to cancel the majority if their flights. (Photo by Eduardo Munoz Alvarez/VIEWpress)

A young boy walks to his school bus on a foggy day in Dubai on March 14, 2024. (Photo by Chris Whiteoak/The National)