The annual Victory Day military parade takes place at Red Square on May 09, 2008 in Moscow, Russia. Russia's most important national holiday honours over 26 million Soviet soldiers killed during World War II. Around 8,000 soldiers in newly designed uniforms paraded in the largest Victory Day display of heavy weaponry since the collapse of the Soviet Union. (Photo by Dima Korotayev/Epsilon/Getty Images)

A South Korean woman looks out at the flood water after a torrential rain storm hit the capital city on July 27, 2011 in Seoul, South Korea. South Korea issued a national crisis warning on as torrential rain caused flooding in parts of the country, killing over 35 with at least ten missing. (Photo by Chung Sung-Jun/Getty Images)

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)

America may be a nation obsessed with automobiles, but today the bicycle is giving the car a run for its money. And while New York is just one of many cities that is implementing new bikefriendly policies, the local cyclist population stands out as one of the most diverse, inventive, and stylish in the world.

Firefighters work to put out flames during a wildfire in Sokcho, South Korea, April 5, 2019. South Korea grappled with the massive blaze that roared through forests and cities along the eastern coast, declaring a national emergency and mobilizing all available resources to bring the inferno under control. (Photo by Yonhap via Reuters)

Ryo Minemizu, one of Japan’s emerging stars in the field of marine life photography and the 2017 winner of the Nikkei National Geographic photography prize, captures the beauty and complexity of plankton that drift in our planet’s oceans and other bodies of water in meticulous detail. Here: Batesian mimicry by a Soleichthys fish larva. (Photo by Ryo Minemizu/The Guardian)