A full moon rising over the Re Island Bridge in Rivedoux, France is pictured on December 14, 2016. (Photo by Xavier Leoty/AFP Photo)

China's President Xi Jinping's wife Peng Liyuan, right, and French President Emmanuel Macron's wife Brigitte Macron pose in front of the clock as they visit the Orsay Museum, Monday, May 6, 2024 in Paris. (Photo by Aurelien Morissard/AP Photo)

Participants take part in the 14th annual “No Trousers Tube Ride” event on the London Underground on January 12, 2025. The event, staged by Improv Everywhere, takes place every January in New York City and has since expanded internationally. What began as a small prank with just seven participants has grown into a global celebration of silliness, with dozens of cities, including London, joining in each year. (Photo by Guy Bell/Alamy Live News)

Goodwood racegoers run for cover from a sudden rainstorm on Ladies Day, the third day of the horseracing festival at Goodwood Racecourse on July 31, 2025 in Chichester, England. (Photo by The Times)

Roxy, a Red Labradoodle, Jaku, a Black and Tan Lurcher, Kobe, a White German Shepherd, Rocky, a Black and Tan German Shepherd, and Busy, an English Springer Spaniel Cross, queue outside an Aldi store in Hinckley, Leicestershire, UK on Monday, December 1, 2025. (Phoot by Lucy Ray/PA Media Assignments)

A vegetarian festival devotee gets medical attention after a parade at Jui Tui shrine on September 30, 2014 in Phuket, Thailand. (Photo by Borja Sanchez-Trillo/Getty Images)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)