A cosplayer poses for a photograph during the Comic Market 90 (Comiket) event in Tokyo Big Sight on August 12, 2016, Tokyo, Japan. Many manga and anime fans wearing cosplay lined up in the sun for the first day of Comiket. Comiket was established in 1975 and focuses on manga, anime, gaming and cosplay. Organizers expect more than 500,000 visitors to attend this year's summer event which runs for three days until August 14. (Photo by Aflo/Splash News)

A young man looks over his shoulder as men watching a soccer match in a nearby bar ask why he isn't watching the game, while walking with his date during the men's gold medal soccer match between Brazil and Germany during Rio 2016 on Saturday, August 20, 2016. (Photo by Aaron Ontiveroz/The Denver Post)

Anna Sloan and Vicki Adams of Britain sweep during a match against Olympic Athletes from Russia in Session 1 of the Women' s Round Robin curling competition at the 2018 Winter Olympic Games at Gangneung Curling Centre in Gangneung, South Korea on February 14, 2018. The British team won the match convincingly, 10-3. (Photo by Cathal McNaughton/Reuters)

Gianluca Pardelli is something of an expert on markets. For the past two years, he’s travelled across eastern Europe, from Azerbaijan to Uzbekistan, Moldova to Georgia, photographing them. Here: Telavi, Georgia. (Photo by Gianluca Pardelli)

A National Transitional Council (NTC) fighter fires an RPG during a street battle in the 700 complex area of “Emarat” against Muammar Gaddafi's troops on October 8, 2011 in Sirte, Libya. NTC fighters say this is the final assault on Muammar Gaddafi's home town as they capture the main hospital, University and the Ouagadougou conference centre in the city. (Photo by Majid Saeedi/Getty Images)

Hope Solo of the USA looks dejected after losing 3-5 after penalty shoot-out the FIFA Women's World Cup Final match between Japan and USA at the FIFA World Cup stadium Frankfurt on July 17, 2011 in Frankfurt am Main, Germany. (Photo by Christof Koepsel/Getty Images)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.