Mariana Sousa, student of the Ballet Paraisopolis, warms up during a rehearse in Paraisopolis favela, outskirts of Sao Paulo, Brazil on August 27, 2020, amid the new coronavirus COVID-19 pandemic. The 200 ballet students of Paraisopolis, the second largest favela in Sao Paulo, restarted rehearsals after five months with a coreography about a police operation that put their community in mourning last year. (Photo by Nelson Almeida/AFP Photo)

A demonstrator smashes a shop window during a protest condemning the arrest of rap singer Pablo Hasél in Barcelona, Spain, Saturday, February 20, 2021. A fifth night of peaceful protests to denounce the imprisonment of a Spanish rap artist once more devolved into clashes between police and fringe group members who set up street barricades and smashed storefront windows in Barcelona. (Photo by Joan Mateu/AP Photo)

Toure, a Gambian salt harvester, holds a basket filled with the salt collected from the crust of the bottom of the Lake Retba (Pink Lake) in Senegal on March 16, 2021. Lake Retba, divided from the Atlantic Ocean by a narrow corridor of dunes, owes its name to the pink waters caused by the Dunaliella salina algae and is known for its high salt content, up to 40% in some areas. (Photo by Marco Longari/AFP Photo)

Omar Gamal, a 28-year-old pigeon keeper, stands next to his pigeon coop on his rooftop in the Egyptian capital's twin city of Giza on February 21, 2021, with the Pyramids of (R to L) Khufu (Cheops), Khafre (Chephren), and Menkaure (Menkheres) in the background. An ancient tradition handed down through the generations, the practice of domesticating pigeons stretches across borders from the banks of the Nile to north Africa and beyond, with people not only training birds for competitions, but also serving them up as a dining delicacy. (Photo by Khaled Desouki/AFP Photo)

A soldier of the Household Cavalry Mounted Regiment falls off a horse during a practice to participate in the state ceremonial surrounding this year's Platinum Jubilee celebrations at Hyde Park in London, Thursday, March 31, 2022. Around 170 horses and personnel of the Household Cavalry Mounted Regiment left their Hyde Park Barracks to form up and be inspected by the General Officer Commanding the Household Division, Major General Christopher Ghika. (Photo by Frank Augstein/AP Photo)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.