From the rocks of Arnhem Land to the backyards of the Sydney suburbs, from stretching by the pool to waiting for evening prayer, snapshots for the 2015 Australian Life prize demonstrated a nation in colour and motion. Here: Children Cooling Off at Dhiari Homeland. Local children get wet and cool in Arnhem Land. (Photo by Matthew Abbott/Australian Life Prize 2015)

Afghan women and a boy make their way in Kabul, Afghanistan, Sunday, November 15, 2015. (Photo by Rahmat Gul/AP Photo)

A homeless man rests on the side of a street at the old quarter of Yemen's capital Sanaa November 27, 2015. (Photo by Khaled Abdullah/Reuters)

A man rides his loaded tricycle next to three schoolgirls in Shanghai on December 11, 2015. (Photo by Johannes Eisele/AFP Photo)

Women labourers work at the construction site of a road in Kolkata January 8, 2015. Across towns and cities in India, it is not uncommon to see women cleaning building sites, carrying bricks and or shoveling gravel – helping construct the infrastructure necessary for the country's economic and social development. They help build roads, railway tracks, airports, and offices. They lay pipes for clean water supplies, cables for telecommunications, and dig the drains for sewage systems. But although women make up at least 20 percent of India's 40 million construction workers, they are less recognized than male workers with lower pay and often prone to safety hazards and sexual harassment. They are often unaware of their rights or scared to complain, say activists now trying to campaign for better treatment of women in the construction industry. (Photo by Rupak De Chowdhuri/Reuters)

A worker stack bricks on his head at a brick factory in Lalitpur January 12, 2015. (Photo by Navesh Chitrakar/Reuters)

An Afghan refugee girl shows her younger brother a calf in a slum on the outskirts of Islamabad, Pakistan, Friday, February 6, 2015. (Photo by Muhammed Muheisen/AP Photo)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)