Fans of Argentina react while watching the live broadcast of the Qatar 2022 World Cup final football match between Argentina and France in Buenos Aires, on December 18, 2022. (Photo by Luis Robayo/AFP Photo)

An effigy representing Judas Iscariot burns as some people wearing masks watch during Holy Week in the Catia neighborhood of Caracas, Venezuela, Sunday, April 4, 2021. The Burning of Judas is an Easter-time ritual in many communities, where an effigy of Judas Iscariot is hanged on Good Friday, then burned on Easter Sunday. (Photo by Matias Delacroix/AP Photo)

Parade goers draped in American flags walk down the street before a Fourth of July parade begins Saturday, July 4, 2020, in Bristol, R.I. The town, which lays claim to the nation's oldest Independence Day celebration in the country, held a vehicle-only scaled down version of its annual parade Saturday due to the coronavirus pandemic. (Photo by David Goldman/AP Photo)

Migrant children play with leaves during Christmas Eve at a shelter, as they travel with their parents as part of a caravan with humanitarian visas to transit throughout the country, in Monterrey, Mexico on December 24, 2021. (Photo by Daniel Becerril/Reuters)

Belarus' Aryna Sabalenka poses with the 2023 Australian Open winner's trophy in Royal Botanic Garden in Melbourne on January 29, 2023, following her victory over Kazakhstan's Elena Rybakina in the women's singles final of the tennis tournament. (Photo by Carl Recine/Reuters)

A captive elephant is made to swim for visitors at Khao Kheow Open Zoo in Chonburi province, Thailand on September 15, 2024. (Photo by Lillian Suwanrumpha/AFP Photo)

Daniel Sheridan, a council worker from Poole, Dorset, runs a side hustle snapping dogs living their best lives in the second decade of December 2024. (Photo by Daniel Sheridan/South West News Service)

Artist Vik Muniz is known for his gigantic composite installations and sculptures created from thousands of individual objects. In this new collaboration with artist and MIT researcher Marcelo Coelho, Muniz takes the opposite approach and explores the microscopic with a new series of sandcastles etched onto individual grains of sand.