A woman spreads out fish to dry at Ngapali Beach near a fishing village in Myanmar's western Rakhine State, Saturday, December 31, 2022. (Photo by Aung Shine Oo/AP Photo)

American model and television personality Chrissy Teigen lights up the Empire State Building with her style and smile in the last decade of May 2024. (Photo by chrissy teigen/Instagram)

Australian architect and model Bianca Censori did it again this afternoon wearing another sеxy ensemble during a solo shopping trip in Beverly Hills on August 1, 2024. (Photo by Backgrid USA)

An Afghan man mourns outside a damaged house, after earthquakes at Mazar Dara village in Nurgal district, Kunar province, in Eastern Afghanistan, on September 1, 2025. (Photo by Wakil Kohsar/AFP Photo)

A worker lays rails across the bed of a drained area of a lake used for the production of salt at the Sasyk-Sivash lake near the city of Yevpatoria in Crimea, October 5, 2014. The area has a long tradition of salt production, prepared from salt flats flooded with water from the Black Sea. (Photo by Pavel Rebrov/Reuters)

Dhruva Aliman does a back somersault as he dismounts from a slackline on the beach at Santa Monica, California on October 19, 2014. Slackline is a balance sport where a line of webbing is adjusted at different levels of tension between two anchor points and participants (called slackers) perform tricks and stunts including somersaults. (Photo by Mark Ralston/AFP Photo)

National Diving School director Jerome Vincent, wearing a Gandolfi space suit, executes training procedures in a swimming pool in Marseille October 22, 2014. The underwater test session develops European expertise in spacewalk simulations under partial gravity for exploring the Moon, asteroids and Mars.The training is organised by Comex, a French company specializing in engineering and deep sea diving operations, in collaboration with the European Space Agency (ESA) and with Apollo XI “Under the sea”. (Photo by Jean-Paul Pelissier/Reuters)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)