A sinkhole is seen on the shore of the Dead Sea near Kibbutz Ein Gedi, Israel July 27, 2015. The Dead Sea is shrinking, and as its waters vanish at a rate of more than one meter a year, hundreds of sinkholes, some the size of a basketball court, some two storeys deep, are devouring land where the shoreline once stood. (Photo by Amir Cohen/Reuters)

People celebrate the traditional Fiesta de las Aguedas on February 6, 2022 in Andavias, Zamora, Castilla y Leon, Spain. This celebration, also known as “El dia de las mujeres”, is a deep-rooted tradition in Castilla y Leon, especially in rural areas. The day of the Aguedas has its origin in the cult of Santa Agueda, and is celebrated every February 5. (Photo By Emilio Fraile/Europa Press via Getty Images)

A man helps another make his way through deep mud at the site of a landslide at the Koslanda tea plantation near Haldummulla October 30, 2014. Hopes of finding survivors under the mud and rubble of a landslide in south-central Sri Lanka had run out by first light on Thursday, though a government minister cut the estimated death toll to more than 100 from 300 the previous night. (Photo by Dinuka Liyanawatte/Reuters)

Only 156 people remained in the tribe when Jan visited in Accham District, Nepal, January 2016. Hidden deep in the Himalayan forest is one of the world’s last enduring nomadic tribes who are resisting attempts to move them into permanent settlements. (Photo by Jan Moller Hansen/Barcroft Images)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

This photo taken on May 17, 2019 shows rough rubies displayed at the gems market in Mogok town, north of Mandalay. Burrowing deep underground, thousands of informal miners risk their lives to find gleaming red gems as a law change spurs opportunity in Myanmar's “land of rubies”. (Photo by Ye Aung Thu/AFP Photo)

Born in Hanoi, 1979, a member of the Young Painter Association of Vietnam, Trang is an emerging young artist whose mind has been engraved with images of the city and the Northern villages. She brings these vivid memories of the villagers and their life to her paintings. She paints scenes of landscapes in thick textural impasto with bright colours of red, orange, yellow, and blue, making the genre of landscape her own. Her paintings depict her passion to showcase the radiance and freshness of the landscapes in Vietnam. For every stroke of brush reflects her burning desire to bring out a world of complications to simple living and a deep appreciation of nature’s blessing and beauty.