Though it is often said that the human eye can be revealing about a person, Jakarta-based Indonesian artist Veri Apriyatno's series titled The Witnesses reveals a lot more about a person's surroundings through the reflection of their eyes. Each hyperrealistic mixed media creation in the series (made with charcoal, pencil, and acrylics on canvas) presents an entire world within the gaze of a glistening eye.

A Hot air balloon is seen at the Cup Hot Air event during the Air Sports festival titled “70 Years of Peaceful Sky” in Minsk, Belarus July 18, 2015. (Photo by Vasily Fedosenko/Reuters)

Citizens are enjoying the festival by shooting hot spring water guns at the Yuseong Hot Spring Festival held on Oncheon-ro in Yuseong-gu, Daejeon in the first decade of May 2025. (Photo by Shin Hyeon-jong)

Massive, roiling, atomic explosions are the central subjects of The Sickness of Reason, Robert Longo's exhibition of large, highly detailed, and intensely black charcoal drawings.

An undated handout picture made available on 29 April 2016 by the Toronga Zoo shows a baby echidna making a remarkable recovery after being attacked by chickens in a family's backyard at the Taronga Zoo in Sydney, Australia. (Photo by EPA/Taronga Zoo)

A chicken is seen next to the body of a woman killed by unknown gunmen at the market in a port area of Manila, Philippines October 28, 2016. Philippine President Rodrigo Duterte's war on drugs and other crimes took he office on June 30 has claimed 4,447 lives, according to official figures made available by police on November 10. (Photo by Damir Sagolj/Reuters)

Mother hen chicken with cute tiny baby chicks all protected beneath her wings keeping warm outdoors only their 12 legs visible poking out the bottom outside. (Photo by Matthew Troke/iStockphoto via Getty Images)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)