India’s classic Ambassador taxis and juddery auto rickshaws are iconic sights in the cities of the subcontinent. In Mumbai, one project has been using them as canvases for Indian graphic designers, giving them the opportunity to design new interiors for the vehicles. (Photo by Taxi Fabric/The Guardian)

Campari has officially unveiled the full imagery for the 2015 Calendar, entitled “Mythology Mixology”. This year’s iconic calendar, which stars the beautiful French born actress Eva Green, is the 16th edition in the collection and is dedicated to celebrating Campari’s unique and intriguing history and the intrinsic stories linked to twelve of its best-loved classic cocktails. Here: Eva Green poses for the month of July. (Photo by Julia Fullerton-Batten/Campari Calendar 2015)

“John Thomson (14 June 1837 – 29 September 1921) was a pioneering Scottish photographer, geographer and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artifacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881”. – Wikipedia. Photo: Ex Omnibus Driver. (Photo by John Thomson/LSE Digital Library)

In order to capture the attention of the public some artists hone their skills, trying to create the ultimate masterpiece that will bring them fame and glory. Others, however, resort to simpler techniques. For example, a French photographer Sacha Goldberger simply combined characters out of Marvel Comics and Star Wars with the fashion of the Elizabethan era and the style of classical Flemish paintings. The results are nothing more than a joke, especially since the main accessory that was placed on each of the characters is the Elizabethan ruff, while everything else remained practically the same. (Photo by Sacha Goldberger)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

“Alice in Waterland” is a beautiful series of photographs re-imagining the Lewis Carroll classic underwater. It’s a creation of photographer Elena Kalis, who lives on a small island in The Bahamas, surrounded, she says, “by pristine clear warm water. Underwater is where I spend a lot of time; snorkeling, diving, photographing. It is fascinating how the world changes down below: light, sound, gravity and proportions are different from what we are used to”. (Photo by Elena Kalis)