An actress dressed as Wonder Woman walks between visitors during the season inauguration of the Madrid Warner amusement park in San Martin de Valdeiglesias, near Madrid, Spain, March 18, 2016. (Photo by Andrea Comas/Reuters)

A picture made available 26 April 2016 shows a tiger playing in the water with a trainer nicknamed “Super Tiger Man” at the Tiger Temple in Kanchanaburi province, Thailand, 24 April 2016. The site known in Thai as “Wat Pa Luangta Maha Bua Yannasampanno” has been the focus of a dispute with the Department of National Parks, Wildlife and Plant Conservation (DNP) after the DNP asked in 2015 that the temple hands over its 147 tigers since it was not licensed to keep them. The temple has requested for a zoo license according to its managing director. (Photo by Diego Azubel/EPA)

Staff of a boat restaurant on the Taedong River line up at the entrance as they wait to greet customers Sunday, June 18, 2017, in Pyongyang, North Korea. The boat is berthed along the river, which is the fifth longest river on the Korean Peninsula and runs through the country's capital, Pyongyang. (Photo by Wong Maye-E/AP Photo)

A tamed hawk sits on a chair next to a participant during a traditional hunting contest in Almaty, Kazakhstan on December 1, 2018. (Photo by Pavel Mikheyev/Reuters)

Artists perform during a slum party in Oworonshoki district of Lagos, Nigeria, 24 September, 2024. The slum party is a yearly artistic dance festival initiated by Ennovate Dance House. It highlights the positive sides of the slum community and brings hope to the inhabitants. (Photo by Emmanuel Adegboye/EPA/EFE)

Women take a selfie next to a police officer as they take part in New Year's Eve celebrations in the Bund, in Shanghai, China December 31, 2016. (Photo by Aly Song/Reuters)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

The ‘Stop the Violence’ advertising campaign by Brazilian agency Terremoto Propaganda aims to reduce the risk of accidents on the road. The visually grabbing print campaign shows a vehicle painted on the face of one person and the fist of another, drawing the comparison between what is widely known to be intentional violence, such as punching someone in the face, with what many incorrectly consider unintentional, like speeding or unsafe lane changes. Let us know what you think about this campaign in the comments below.