A visitor falls down as they run away from a wave caused by a tidal bore which surged past a barrier on the banks of Qiantang River, in Hangzhou, Zhejiang province, China, October 28, 2015. (Photo by Reuters/China Daily)

A boy performs a masked dance as he participates in a parade during the National Encounter of Mask festival in Barva de Heredia October 30, 2015. (Photo by Juan Carlos Ulate/Reuters)

A Palestinian woman paints a mural, depicting a masked Palestinian holding a knife, in support of Palestinians committing stabbing attacks against Israelis, in Rafah in the southern Gaza Strip November 3, 2015. (Photo by Ibraheem Abu Mustafa/Reuters)

A Palestinian protester uses a sling shot to throw stones towards Israeli security forces during clashes on the Israeli border Eastern Gaza City, Friday, November 6, 2015. (Photo by Adel Hana/AP Photo)

A mahout rides on an elephant in the city of Amritsar, India, 08 November 2015. Such elephants are often accompanied by their caretakers who ask for alms from people in the streets. (Photo by Raminder Pal Singh/EPA)

Residents of the Brussels suburb of Molenbeek are searched by police before taking part in a memorial gathering to honour the victims of the recent deadly Paris attacks, in Brussels, Belgium, November 18, 2015. (Photo by Yves Herman/Reuters)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.

An internally displaced girl stands on an abandoned railway tracks beside a makeshift refugee camp in Sinjar town, in Idlib province, Syria November 20, 2015. (Photo by Ammar Abdullah/Reuters)