People gather to watch the eruption of the Mauna Loa Volcano while the lava flow is covered with the clouds in Hawaii, U.S. December 3, 2022. (Photo by Go Nakamura/Reuters)
People ride a boat on the Tianquan Lake during a foggy day in Xuyi in China's eastern Jiangsu province on November 20, 2019. (Photo by AFP Photo/China Stringer Network)
Britain's biggest dog, 18 month old great Dane, Freddy seen realxing on the sofa with it's owner Claire Stoneman at their home in Southend-on-Sea, Essex, England. (Photo by Matt Writtle/Barcroft Media)
A pet owner holds his guinea pig named Riec as Father Francisco bestows a blessing on the pet rodent during a feast day Mass in honor of Saint Anthony, the patron saint of animals, at the Saint Fernando church, in Mexico City, Saturday, January 17, 2015. Many people in Mexico bring their pets to churches to be blessed by the priest on this day. (Photo by Marco Ugarte/AP Photo)
“David Doubilet (born 28 November 1946) is a well known underwater photographer known primarily for his work published in National Geographic Magazine. He was born in New York and started taking photos underwater at the young age of 12. He started with a Brownie Hawkeye in a rubber anesthesiologist's bag to keep the water out of the camera. During his summer holidays, he spent his time along the New Jersey coast. He later worked as a diver and photographer for the Sandy Hook Marine Laboratories in New Jersey. He also spent much time in the Caribbean. While a dive instructor in the Bahamas he found his motivation to capture the beauty of the sea and everything in it”. – Wikipedia. (Photo by David Doubilet/National Geographic)
“The Red-eyed Treefrog (Agalychnis callidryas) is an arboreal hylid native to Neotropical rainforests in Central America. Red-eyed tree frogs, as their name states, have red eyes with vertically narrowed noses, a vibrant green body with yellow and blue vertically striped sides, and orange or yellow webbed feet and toes”. – Wikipedia. (Photo by Donald Quintana)
“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović