In this Wednesday, November 15, 2017 photo, a woman poses for a selfie with the carcass of a humpback whale on Ipanema beach, in Rio de Janeiro, Brazil. Biologist Rafael Carvalho said the whale appears to have been dead for a few days. Authorities were urging beachgoers who had flocked to Ipanema on a national holiday to stay away from the animal. (Photo by Silvia Izquierdo/AP Photo)

In this September 14, 2017 photo, young women pose for a photo inside their squatter building that used to house the Brazilian Institute of Geography and Statistics (IBGE) in the Mangueira slum of Rio de Janeiro, Brazil. Many lower-middle class Brazilians who gained ground during the boom years have since slid back closer to the poverty line. (Photo by Felipe Dana/AP Photo)

A figure of a skeleton is seen painted in a hallway of the house built underground by Manuel Barrantes in San Isidro de Perez Zeledon, Costa Rica, March 14, 2016. Barrantes started digging through red soil and volcanic rock on his farm 12 years ago to build his subterranean house, between 15 and 63 feet (4.57 and 19.2m) underground. The dwelling, which Barrantes says provides a peaceful and comfortable home for him and his family away from noise pollution and the effects of climate change, now covers about 2,000 square feet (185.8 square metres). (Photo by Juan Carlos Ulate/Reuters)

Soldiers stand guard in Maua square where a cotton candy vendor passes by in Rio de Janeiro, Brazil, Saturday, July 9, 2016, as security is deployed to get to know the areas they'll be patrolling during the Olympics. Roughly twice the security contingent at the London Olympics will be deployed during the August games in Rio, which are expected to draw thousands of foreigners to a city where armed muggings, stray bullets and turf wars between heavily armed drug gangs are routine. (Photo by Leo Correa/AP Photo)

An employee of Paris city Hall removes padlocks clipped by lovers on the fence of the Pont des Arts over the River Seine in Paris, December 9, 2014. For years, visiting couples have hung brass padlocks on the iron grills lining the city's bridges to symbolise their undying love – they write their names on the locks, then toss the key into the Seine below. About 700,000 love locks are added every few months and Paris officials say they are damaging the bridges and threatening safety because of the added weight. (Photo by Philippe Wojazer/Reuters)

In this Sunday, March 29, 2015 photo, a young performer from the Parinacochas district of Ayacuhco dances in the Vencedores de Ayacucho dance festival, in the Acho bullring in Lima, Peru. The performers sang in the Quechua language, portraying the planting of corn and potatoes. From very young children to elderly people dressed as farmers, tigers, and foxes, as well as members of auto-defense groups, soldiers and police officers, to portray the violence that tore apart their families and communities. (Photo by Rodrigo Abd/AP Photo)

Rolando Pujol Rodriguez photographed the Cuban raft exodus in 1994, and twenty years later Enrique de la Osa took portraits of some of the people who made it to the United States, in this story which combines archive and present day images. Here: People put the finishing touches to a makeshift boat on a rooftop before lowering it onto a truck and launching it into the Straits of Florida towards the U.S., on the last day of the 1994 Cuban raft exodus in Havana, in this September 13, 1994 file photo. (Photo by Rolando Pujol Rodriguez/Reuters)

For more than a century, the Barcelona skyline has been graced (or marred, depending on who’s talking) by the spectacle of the Basilica designed by Anton Gaudi, first started in 1882. If you want to know what it’ll look like when finished, don’t fret — 2026 is right around the corner. Or you can watch this video, released last week on YouTube by Basílica de la Sagrada Família and titled simply “2026 We Build Tomorrow,” a 3-D artists’ rendering of the building stages through completion.
(If 144 years sounds like a long time to finish a cathedral, keep in mind that there were decades that they didn’t work on it — and that Notre Dame de Paris took 182 years, although the 13th century Parisians didn’t have diesel-powered industrial cranes.) Now, if only the video could show us what the admission and hours will be in 2026 (and how to avoid the inevitable long lines).