An artists performs on the street during a Myfest festival marking the May Day in the Kreuzberg district in Berlin, Germany on May 1, 2018. (Photo by Fabrizio Bensch/Reuters)
A mountain hare shakes off rain from its fur, in Findhorn Valley, Moray, Scotland in the second decade of August 2024. In summer, the hare’s coat is a grey-brown colour with a tinge of blue, making them hard to spot against the heather moorland. In winter, it changes to almost completely white for camouflage in the snow. (Photo by Will Hall/Solent News)
A performer dressed as a lobster is seen during a lobster-themed electronic music party at a water park on August 01, 2020 in Hangzhou, Zhejiang Province of China. (Photo by Lian Guoqing/VCG via Getty Images)
Sophie Hawkshaw, 9, dressed as a Headless Horseman, participates in a lead rein fancy dress competition for riders under 10 years old at an agricultural show, in Athenry, Ireland on May 25, 2025. (Photo by Clodagh Kilcoyne/Reuters)
Cooperation is key to success. This motto was used by the Government of Denmark when they decided to create a project that bore the name of UN City. This compound was designed to house all nine Copenhagen based UN agencies under a single roof. This embodies the core idea of the United Nations, since this project allows for better efficiency and practicality thanks to joint effort. The first plans for the UN City were hatched in 2002. After 11 years, in 2013 the first stage of the project was finally finished. Presently, Campus 1 of UN City accommodates 1,300 staff member, while Campus 2 is going to become the largest humanitarian warehouse in the whole world.
Dutch artist Berndnaut Smilde is interested in the ephemeral -- impermanent states of being which he documents through photographs. For Nimbus II, he used a smoke machine, combined with moisture and dramatic lighting to create a hovering indoor cloud in the empty setting of a sixteenth-century chapel in Hoorn, a small town in Holland. “I imagined walking into a museum hall with just empty walls. The place even looked deserted. On the one hand I wanted to create an ominous situation. You could see the cloud as a sign of misfortune. You could also read it as an element out of the Dutch landscape paintings in a physical form in a classical museum hall.”