A man irrigating a rice paddy field using a traditional method. (Photo by Fox Photos/Getty Images). Japan, circa 1938

View at one of the sculptures by Swiss artist H.R. Giger during the opening of the Ars Electronica 2013 exhibition “HR Giger. The Art of Biomechanics” in Linz, Austria, 04 September 2013. (Photo by EPA/RUBRA)

A woman struggles with an umbrella in the wind and rain while walking in Derby city centre, on December 23, 2013. (Photo by Rui Vieira/PA Wire)

An Indian girl cries as a medical worker collect her swab sample for COVID-19 test at a rural health center in Bagli, outskirts of Dharmsala, India, Monday, September 7, 2020. India's coronavirus cases are now the second-highest in the world and only behind the United States. (Photo by Ashwini Bhatia/AP Photo)

A dancer of Potosi's government departament, poses with traditional costumes at the Salar de Uyuni, the world's largest salt flat, in Uyuni, Bolivia, on November 7, 2020. (Photo by Ronaldo Schemidt/AFP Photo)

These kaleidoscopic images are the work of one persistent photographer’s efforts to capture vibrant hues at the exact moment a wave breaks. Ryan Pernofski‘s stunning shots feature brilliant yellows, reds, blues and purples as an array of sunlight hits the water at the perfect time. What’s even more impressive: Ryan, a 27-year-old Australian, began shooting his popular masterpieces without using a professional camera, taking his iPhone out into the water instead. Ryan began experimenting with this method in 2012, using an underwater housing to protect his phone, as he could not afford a professional camera. (Photo by Ryan Pernoski/Caters News Agency)

Rare images of wild tigers in Bhutan, captured by camera traps, show tigers and other animals using high-altitude wildlife corridors which are lifelines to isolated tiger populations and critical to genetic diversity, conservation and growth. Here: A wild Bengal tiger (Panthera tigris tigris) captured on a camera trap in corridor eight at an altitude of 3,540 metres in Trongsa, Bhutan. (Photo by Emmanuel Rondeau/WWF UK/The Guardian)