"Temptation", part of an installation from the artist-duo David Burns and Austin Young, appears among the works of 30 artists in the multimedia exhibition "The Value of Food: Sustaining a Green Planet" at the Cathedral of St. John the Divine, Wednesday, October 7, 2015, in New York. The exhibition, installed in the cathedral's seven chapels and 14 bays, explores food accessibility, sustainability and other food-related issues and runs through April 3, 2016. (Photo by Bebeto Matthews/AP Photo)

A Palestinian protester sets fire to himself as he throws a molotov cocktail during clashes with the members of the Israeli armed forces in the West Bank city of Hebron, 13 October 2015. The past 12 days have seen the worst spell of street violence in Israel and the Palestinian areas in years, stirred in part by Muslim anger over perceived changes to the status quo observed at a disputed Jerusalem holy site. Sixteen Palestinians from the West Bank and Jerusalem have been killed, but more than half of them have been attackers shot dead after or during attempts to stab Israelis. (Photo by Abed Al Hashlamoun/EPA)

Young revelers take part in a parade called "La Calabiuza" on November 1, 2015, on the eve of the Day of the Dead in Tonacatepeque, 20 kms (13 miles) north of San Salvador. During the celebration, the residents of Tonacatepeque, originally an indigenous community, recall the characters from the mythology of Cuscatlan – pre-Columbian west and central regions of El Salvador – and their dead relatives. (Photo by Marvin Recinos/AFP Photo)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

Four pillars of light from the 4 Laser Guide Star Facility on ESO's Very Large Telescope (VLT) are shown reaching into the Chilean night sky in this image from ESO Photo Ambassador Fred Kamphues, on September 2, 2016. The lasers are a key part of the adaptive optics system on the VLT. Adaptive optics allows astronomers to drastically reduce the atmospheric distortion present at even the best sites in the world for astronomy, including Paranal in Chile, the home of the VLT. (Photo by F. Kamphues/ESO)

Brain-on-a-chip. Dazzling in green and magenta this image shows the nerve fibres (in green) produced by neural stem cells (in magenta) as they grow on a synthetic gel. Captured by a technique known as confocal microscopy, the image is part of research shedding light on how tinkering with the environment can affect the way in which nerve fibres grow. (Photo by Collin Edington and Iris Lee/Massachusetts Institute of Technology/Wellcome Images)

Devotees wear costumes made of banana leaves as they head to church to attend mass as part of a religious festival, in honor of St. John the Baptist, also known locally as the “mud people” festival, in Aliaga town, Nueva Ecija province, north of Manila, on June 24, 2017. Farmers coated in mud paraded in Philippine villages on June 24 to mark one of the Catholic nation's most colourful religious festivals. (Photo by Noel Celis/AFP Photo)

Amphibious assault vehicles of the South Korean Marine Corps throw smoke bombs as they move to land on shore during a U.S.-South Korea joint landing operation drill in Pohang March 31, 2014. The drill is part of the two countries' annual military training called Foal Eagle, which began on February 24 and runs until April 18. (Photo by Kim Hong-Ji/Reuters)