The Grand National springs to mind as the yearly highlight of the “sport of kings” – thoroughbred steeds and their brave jockeys triumphing (or failing) over gruelling courses and high-fenced adversity. And now steeplechase enthusiasts can add another event to the annuls of great sporting occasions, namely the Stuttgart rabbit show jumping. Here: Rabbit showjumping at an animal fair in Stuttgart, Germany, on November 16, 2014. (Photo by Action Press/Rex Features)

Students at the Cuba's National Ballet School (ENB) watch a class from outside the classroom in Havana, Cuba, October 12, 2016. Catherine Conley, the first American full-time student at Cuba's prestigious National Ballet School, hopes to gain an edge back home by learning the powerful Cuban style with its dazzling turns and jumps. (Photo by Alexandre Meneghini/Reuters)

A smokejumper leaps from an airplane during a training flight above Winthrop, Washington, U.S., June 30, 2016. On a 100-degree day in early June, eight experienced firefighters did sit-ups in a semicircle training to parachute into a wildfire. Better known as “rookie candidates”, they were determined to make it through the five-week program at North Cascades Smokejumper Base in Winthrop, Washington, where the first experimental jumps occurred in 1939. (Photo by David Ryder/Reuters)

Kyle Walker of AC Milan sprays water from his mouth prior to the start of the second half of the Coppa Italia match at Giuseppe Meazza, Milan on February 5, 2025. (Photo by Jonathan Moscrop/Sportimage/Alamy Live News)

In this July 9, 2016 file photo, girls jump from a diving platform into the Geneva Lake and enjoy sunny and warm weather, in Villeneuve, Switzerland. After nearly 90 years, women can legally swim topless in Geneva’s lake and Rhone River without running the risk of a fine. Geneva’s regional council has voted to modify a 1929 ordinance that banned women from swimming topless in the city’s main natural waterways, though the change doesn’t apply to public swimming pools or swimming totally naked. Nicolas Bolle, an official with Geneva’s security department, on Thursday, April 6, 2017 confirmed the council’s action a day earlier. (Photo by Jean-Christophe Bott/Keystone via AP Photo)

A fire-eater of the “Diables de Terrassa” performs during Sitges' little “Festa Major”, “Santa Tecla” in Sitges, Spain on September 19, 2016. This celebration brings together some of Catalonia’s most emblematic festive traditions. The central axis of the celebrations is the traditional parade, made up of “big-head” carnival figures and characters who dance to music played on different traditional instruments. One of the most popular events is the Correfoc or fire-running, which is also the closing event of the fiesta. The people run and jump over characters dressed up as devils and dragons, carrying fire. (Photo by Matthias Oesterle/ZUMA Press/Splash News)

In this Tuesday, July 14, 2015, photo, Phoe Thaw, center, a member of the White New Blood lethwei fighters club, a Myanmar traditional martial-arts club which practices a rough form of kickboxing, stretches during a practice session in their gym on a street in Oakalarpa, north of Yangon, Myanmar. Three of the club's members competed this summer on a stage a world away from the street gym: a mixed-martial-arts “One Championship” event broadcast globally on cable television networks, where fighters could receive $1,000 for each fight, according to coach Myint Zaw who started the traditional fighters' club 15 years ago. (Photo by Gemunu Amarasinghe/AP Photo)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)