In a photo taken on November 27, 2016 a female traffic police officer directs traffic on a road in Pyongyang. Believed to be hand-picked for their looks, Pyongyang's female traffic police are a familiar sight at intersections around the capital, where traffic volumes have noticeably increased in recent years. (Photo by Ed Jones/AFP Photo)

Belarusian schoolchildren, who are members of a pro-government Young Pioneer movement, perform with drums as they take part in a meeting to mark the 95th anniversary of their organisation in Minsk, Belarus May 19, 2017. (Photo by Vasily Fedosenko/Reuters)

A girl plays a jump rope game at a school housing residents displaced by gang violence in Port-au-Prince, Haiti, Wednesday, May 15, 2024. (Photo by Ramon Espinosa/AP Photo)

Children with painted faces in the art of the bahurupi tradition in Bardhaman, India on April 24, 2021. Impersonators family where their generations are engaged in making face painting and can easily metamorphose into different characters during a performance, as per different Traditional & Tribal myth which is the main earning source for their family. (Photo by Avishek Das/SOPA Images/Rex Features/Shutterstock)

32 year old Mahada Khatum repairs a fishing net outside her home in the Shamalapur Rohingya refugee settlement on April 11, 2014 in Chittagong district, Bangladesh. Some years ago she escaped violence and discrimination from the Zomgara Baharchara village in the Meherulla district of Myanmar. (Photo by Getty Images/Stringer)

The sunrise over the beach huts at Hamworthy Park in Poole, Dorset, United Kingdom on April 28, 2022. (Photo by Rachel Baker/Bournemouth News)

A kid casts his hand's shadow as kids play with light in “L'art dans la nature, Dali universe” an open air light show at Parc de la Villette in Paris, France on November 19, 2023. (Photo by Gonzalo Fuentes/Reuters)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)