James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

Sebastião Salgado is a Brazilian documentary photographer living in Paris. He has produced several books, and his work has been exhibited extensively around the world. His latest work, «Genesis», premieres at The Natural History Museum in London on April 11, on view through September 8, 2013. Photo: On South Georgia, a barren island in the far South Atlantic, a pair of southern elephant seal calves beckon before a colony of king penguins. “The male seals can grow to almost five tons,” says Salgado, “but these are just babies. This one looked at me with beautiful eyes”. (Photo by Sebastião Salgado/Amazonas/Contact Press Images)

A hand of a labourer pushes bricks at a traditional brick factory in Arab Mesad district of Helwan, northeast of Cairo, May 14, 2015. About 45 labourers are employed at the brick factory and most work 10 hours a day. Adult workers earn a daily wage of 70 Egyptian pounds ($9) and child workers earn 40 Egyptian pounds ($5). The labourers, who are usually temporary or seasonally employed in Egypt's brick-making industry, experience unsafe work conditions, according to local media. (Photo by Amr Abdallah Dalsh/Reuters)

Engineer Mikhail Venin works on an antenna for the Express AM8 new generation geostationary telecommunications heavy satellite at the large-sized transformed mechanical systems centre of the Reshetnev Information Satellite Systems company in the Siberian town of Zheleznogorsk April 2, 2014. The Express AM6 is a new generation satellite providing services including Russian governmental and presidential mobile communication, digital television and broadcasting, according to the Reshetnev company representatives. (Photo by Ilya Naymushin/Reuters)

Mikhail Vasilenko, a participant from the Siberian town of Nizhny Tagil, works on an ice sculpture called “The Predator”, on the last day of the annual international festival of snow and ice sculptures “The Magical Ice of Siberia”, with the air temperature at about minus 28 degrees Celsius (minus 18.4 degrees Fahrenheit), in Krasnoyarsk, Russia, January 17, 2016. (Photo by Ilya Naymushin/Reuters)

Float builder Andrea works on a float which depicts Russia's President Vladimir Putin as warmonger, at the float hall of the Mainz Carnival Association (MCV), in Mainz, Germany, 02 February 2016. The MCV invited journalists to a preview of this year's floats for the upcoming Shrove Monday carnival parade. The main carnival season festivities will happen around Rose Monday on 08 February. (Photo by Fredrik von Erichsen/EPA)

A porter stands at the bottom of the Illimani mountain, on the outskirts of La Paz, Bolivia, April 16, 2016. For years, Lydia Huayllas, 48, has worked as a cook at base camps and mountain-climbing refuges on the steep, glacial slopes of Huayna Potosi, a 19,974-foot (6,088-meter) Andean peak outside of La Paz, Bolivia. But two years ago, she and 10 other Aymara indigenous women, ages 42 to 50, who also worked as porters and cooks for mountaineers, put on crampons – spikes fixed to a boot for climbing – under their wide traditional skirts and started to do their own climbing. (Photo by David Mercado/Reuters)

In this July 20, 2018 photo, Joshep Balta, a clown named “Cachupito”, peers through the tent curtain to see how many people are waiting for the show, put on by the International Circus, set up in the shanty town of Puente Piedra on the outskirts of Lima, Peru. Balta, a 12-year old clown whose parents work at the circus setting up and breaking down the encampment, was discovered by the circus two years ago when he was performing as a clown at street corners. (Photo by Martin Mejia/AP Photo)