Revellers celebrate the New Year in Princes Street during Hogmanay street party celebrations in Edinburgh, Scotland January 1, 2015. (Photo by Russell Cheyne/Reuters)

A mannequin of the woman painted gold in the James Bond film “Goldfinger” is displayed during a press presentation of the exhibition “The Designing 007: Fifty Years of Bond Style” at the Grande Halle de la Villette in Paris, France, April 13, 2016. (Photo by Benoit Tessier/Reuters)

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)

A giant Rubber Duck created by Dutch artist Florentijn Hofman is towed along Hong Kong's Victoria Habour Thursday, May 2, 2013. Since 2007 the 16.5-meter (54 feet)-tall Rubber Duck has traveled to various cites including Osaka, Sydney, Sao Paulo and Amsterdam. (Photo by Vincent Yu/AP Photo)

Young girls pose for a photo during the Kumari Puja Ritual on the 9th day of the Durga puja festival at a Pandal (Temporary place for worship) in Kolkata on October 4, 2022. Kumari Puja is an Indian Hindu Tradition mainly celebrated during the Durga Puja according to the Hindu Calendar. The philosophical basis of Kumari Puja is to establish the value of women. Devotees believe it will overcome all barriers, dangers for the young girls in the coming future and also, they will be empowered to handle any stress and obstruction in their coming life. (Photo by Avishek Das/SOPA Images/Rex Features/Shutterstock)

Female Kurdish Peshmerga fighters affiliated with Iran's separatist Kurdistan Freedom Party (PAK), are pictured at a base in an undisclosed location in the Arbil province, the capital of the autonomous Kurdish region of northern Iraq, on December 1, 2022. Iranian-Kurdish rebel groups have for decades sought refuge in northern Iraq's autonomous Kurdistan region, but they have recently come under fresh fire amid weeks of protests in the neighbouring Islamic republic. (Photo by Safin Hamed/AFP Photo)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)