In this February 5, 2014 photo, Divaldo Aguiar, who plays the part of Pachencho, is carried in a mock coffin during the Burial of Pachencho celebration, through a cemetery in Santiago de Las Vegas, Cuba. Cuban villagers stage a mock funeral and burial of Pachencho, with a living man playing the part of Pachencho, in a boozy festival that has become an annual tradition in this small town near Havana, held each February 5 for the last 30 years. (Photo by Enric Marti/AP Photo)

A man irrigating a rice paddy field using a traditional method. (Photo by Fox Photos/Getty Images). Japan, circa 1938

The world's biggest wild animal farmer, Carr Hartley of Rumuruti in Kenya, sells animals to zoos, circuses and film companies. (Photo by Maxim Ruston/BIPs/Getty Images). November 1956

Clutching a large paper bag and shading his eyes as he peers ahead, comic actor of the silent screen, Buster Keaton (1885–1966) arriving at Paris airport. (Photo by Keystone/Getty Images). 1st August 1947

A large balloon of a face of “ojisan”, a middle aged man, floats in the sky above the grounds of Nishiki elementary school in Utsunomiya in Tochigi prefecture, 100km north of Tokyo on December 21, 2014. Members of art group “Me”, meaning “eye” in Japanese and the Utsunomiya Museum of Art launched an art installation “The Day an Ojisan's Face Floated in the Sky”, a 15-meter by 10-meter face balloon of the depicted man, who was auditioned in the city, looking down on his home town from the sky. (Photo by Yoshikazu Tsuno/AFP Photo)

A woman is supported by two men while crossing a river, north of Idomeni, Greece, as migrants attempt to reach Macedonia on a route that would bypass the border fence, Monday, March 14, 2016. Hundreds of migrants and refugees walked out of an overcrowded camp on the Greek-Macedonian border Monday, determined to use a dangerous crossing to head north. (Photo by Vadim Ghirda/AP Photo)

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)