A woman checks on two of her puppies after her neighborhood was evacuated because of severe flooding in Channelview, Texas, on Saturday, May 4, 2024. Days of rain caused rivers to swell, leaving homes and businesses flooded and thousands of people displaced. (Photo by Raquel Natalicchio/Houston Chronicle/AP Photo)

Going nowhere in a hurry, this friendly Javan Tree frog can be seen casually hopping aboard the slow-paced snail who like a lonely highway trucker is only too happy to have the company. These cute critters chew the fat until froggy reaches his destination and alights at the top of the branch. Creative Designer and amateur photographer Kurit Afsheen (34) was able to capture this special sequence while out in his back garden in Ciledug, Indonesia. (Photo by Kurit Afsheen/Media Drum World)

This photo provided by Netflix/naturepl.com and WWF-International shows an African Elephant (Loxodonta africana) in front of double rainbow, in Masai Mara, Kenya, included in the Netflix natural history series, “Our Planet”, in collaboration with Silverback Films and WWF. The eight-part series debuts in 2019. (Photo by Andy Rouse/Naturepl/WWF-International/Netflix via AP Photo)

Paisley, a standard poodle, is pictured at Intergroom in N.J., March 2014. Intergroom is one of the largest cats and dogs grooming conferences in America. (Photo by Paul Nathan/Rex Features)

People sit at an oversize picnic table in Soho Square in London May 19, 2014. (Photo by Luke MacGregor/Reuters)

A partially frozen Niagara Falls is seen on the American side lit by lights during sub freezing temperatures in Niagara Falls, Ontario March 3, 2014. (Photo by Mark Blinch/Reuters)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)