Kenyan women protest for the right to wear whichever clothes they want, at a demonstration in downtown Nairobi, Kenya Monday, November 17, 2014. A recent incident in which a mob of men surrounded a woman and tore her clothes off, leaving her naked on the street in front of a bus stop after alleging that she was improperly dressed, is one of several such videos that have surfaced online in recent days leading to a groundswell of anger that on Monday prompted around 1000 demonstrators, including a number of men supporting the women's cause, to march through the capital and protest online using the hashtag #MyDressMyChoice. (Photo by Ben Curtis/AP Photo)

A leader “Rolli” of a yodel group “Schuppel” runs in the snow in front of a farmstead during the “Silvesterchlausen” in the early morning in Urnaesch in the Swiss canton Appenzell Ausserroden on January 13, 2017. (Photo by Michael Buholzer/AFP Photo)

A Hindu holy man is reflected on a mirror as he prepares a bowl of vermillion powder for devotees near “Sangam”, the confluence of holy rivers of Ganges, Yamuna and the mythical Saraswati, during the annual traditional fair of Magh Mela in Allahabad, in the northern Indian state of Uttar Pradesh, India, Tuesday, January 6, 2015. Hundreds of thousands of devout Hindus are expected to take holy dips at the confluence during the astronomically auspicious period of over 45 days celebrated as Magh Mela. (Photo by Rajesh Kumar Singh/AP Photo)

An Indian Air Force person walks carrying a Nepalese child, wounded in Saturday's earthquake, to a waiting ambulance as the mother rushes to join after they were evacuated from a remote area at the airport in Kathmandu, Nepal, Monday, April 27, 2015. The death toll from Nepal's earthquake is expected to rise depended largely on the condition of vulnerable mountain villages that rescue workers were still struggling to reach two days after the disaster. (Photo by Altaf Qadri/AP Photo)

In his series “Ballerinas of Cairo”, photographer Mohamed Taher documents Egyptian dancers making the city streets their stage – pirouetting, leaping and posing their way through their country’s sprawling capital. The photos are, at first glance, stunning snapshots of a city’s vibrant culture in motion. (Photo by Mohamed Taher/Ballerinas of Cairo)

A soldier walks on the bank of the river in central Pyongyang, North Korea on April 16, 2017. (Photo by Damir Sagolj/Reuters)

At this year’s Venice Bienniale in Italy, the Korean pavilion has a curious exhibit called “Commissions for Utopia”. It includes renderings from North Korea’s top architects and artists (all anonymous), many of whom studied at the Paekho Institute of Architecture, North Korea’s state-run architectural college, and none of whom have ever left the country. They were asked to create a vision of North Korea’s future sustainable architecture for its expanding tourism industry. Their final products are a glimpse into what it would be like to envision the future after being entirely cut off from the present for almost 70 years. (Photo by Nick Bonner/Kyle Vanhemert/Venice Architecture Biennale)

These hyper realistic drawings are so lifelike they could pass for photographs. The incredibly detailed works of art were created by self-taught artist Ivan Hoo, from Singapore, who earns a living from his realistic drawings and paintings. The 31-year-old takes up to three days to complete the impressive pieces, which include animal portraits and still life drawings of everyday items such as a Starbucks cup. The A3 sketches are completed using a range of soft pastel pencils and are drawn from still life, or a photograph taken by Ivan himself. Here: Ivan Hoos drawing of a pug. (Photo by Ivan Hoo/Caters News)