A man wearing a mask looks on as he sells matresses in Manila, Philippines, January 8, 2020. (Photo by Willy Kurniawan/Reuters)

Cheerleaders wearing face masks due to the outbreak of the coronavirus disease (COVID-19) are seen at the first professional baseball league game of the season at Taoyuan International baseball stadium in Taoyuan city, Taiwan, April 11, 2020. (Photo by Ann Wang/Reuters)

Attendees wear a cardboard “Facebox” at the 2017 South By Southwest (SXSW) Interactive Festival at the Austin Convention Center in Austin, Texas, U.S., on Monday, March 13, 2017. The SXSW Interactive Festival features a variety of tracks that allow attendees to explore what's next in the worlds of entertainment, culture, and technology. (Photo by David Paul Morris/Bloomberg)

A man passes by an unfinished street art graffiti made in a stairway by French street artists Zag and Sia in Paris on March 1, 2016. The two artists drew inspiration from famous “Liberty Leading the People” (La Liberte guidant le peuple) painting by French Eugene Delacroix commemorating the July Revolution of 1830 and viewed as a symbol of the French Republic. (Photo by Joel Saget/AFP Photo)

A paramilitary police officer (right) turns around as hostesses line up for roll call ahead of the Beijing International Automotive Exhibition in Beijing, China, on Monday, April 25, 2016. Tesla Motors Inc. and BYD Co. are among manufacturers showing 147 new-energy vehicles at this year's show. (Photo by Qilai Shen/Bloomberg)

U.S. Secretary of State John Kerry and Mongolian Foreign Minister Lundeg Purevsuren watch an archer during a Naadam ceremony, a competition which traditionally includes horse racing, Mongolian wrestling and archery, in Ulan Bator, Mongolia, June 5, 2016. (Photo by Saul Loeb/Reuters)

“After the death of a teenager (14-year-old Elijah Doughty), hundreds of Indigenous locals took to the streets of Kalgoorlie to vent their anger. Danella Bevis captures the grief and outrage of a family and a community. There is raw aggression in an eruption of racial tensions and violence, and in stark contrast she concludes the narrative with a moment of quiet beauty at a dusk vigil”. (Photo by Danella Bevis/The Walkley Foundation)

Wearing a satin and lastex top and a skirt made of fishnet Ann Evors, a Paramount player, poses for the cameramen on the beach, circa 1928. (Photo by Central Press)